Presenting the audiobook version of A KILLER RETREAT!

By Tracy Weber

July marks the official launch of my second audiobook, A Killer Retreat!  Although the official launch is in July, it's available for purchase on Audible now.   Join me at the Facebook launch party on July 13 at this link! 

If you're interested in receiving a free Audible copy of the work in exchange for an honest review, please e-mail me at Tracy@WholeLifeYoga.com.  In the meantime, Enjoy the excerpt below. In this installment, protagonist and yoga teacher Kate Davidson finds herself on the wrong side of the one-way mirror in the suspect interview room. 

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Sergeant Bill took copious notes, nodding and smiling encouragingly. After fifteen rambling minutes, I completed my spiel.

“Well,” he said, closing his notebook and laying down his pen. “I think we’re about done here.”

“You mean I can go?” It couldn’t possibly be this easy. I never got away with anything.

He shrugged. “I don’t see why not.”

Relief washed over me like water in a warm shower. For once, luck and the universe were on my side. I stood up, eased to the door, and rested my hand on the doorknob. Only two more steps and I’d be free. My mind chattered, nervously narrating each action in a silent monologue.

OK, Kate, you’re almost there. Stay calm and don’t blow it. I took a deep breath. Turn the knob to the right. The latch clicked and released. Open the door. The hinges squeaked open; a cool breeze caressed my cheeks. As I glanced through the doorway, the empty hall beckoned me—coaxed me toward freedom.

Step one foot forward, and—

“You know, there’s only one thing I don’t get about your story.”

The melodic lilt in Sergeant Bill’s voice had completely evaporated.

Tension spread from my toes to my scalp. I tried to suppress—or at least camouflage—a mounting sense of panic. I took a deep breath and turned to face him. Sergeant Bill leaned forward, elbows on the desk, fingers laced together. He didn’t look at all friendly.

I forced my lips into a smile and tried to look innocent.

“What’s that?”

“Why is it that six different witnesses say you threatened to strangle the victim this morning?”

Sergeant Bill wasn’t smiling anymore. Then again, neither was I. We stared at each other in silence.

 “Why don’t you close that door and sit on back down.”

 

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I hope you give the book (audio or written) a try, and love it!

 

Tracy Weber

All four books in the Downward Dog Mystery Series are available at booksellers everywhere!

Tracy Weber is a certified yoga teacher and the founder of Whole Life Yoga, an award-winning yoga studio in Seattle, where she current­ly lives with her husband, Marc, and precocious German shepherd puppy, Ana. She loves sharing her passion for yoga and animals in any form possible. When she’s not writing, she spends her time teaching yoga, trying to corral Ana Tasha, and sip­ping Blackthorn cider at her favorite ale house. Tracy loves connecting with fans.  Find her on her author web page or on Facebook.

5 Ways I Improved PATH INTO DARKNESS at the Last Minute

By Lisa Alber

I just finished the final, FINAL nit-piks for PATH INTO DARKNESS, coming out in August. Talk about under the wire! The book is at the printer as I write this post. Yay! I'm so grateful for the chance to provide a detailed final proofread, and then quickly proofread my proofread for a sanity check on my final changes. (And, yes, I found four more wee, itty, bitty, teeny, tiny typos ... It could never end, seriously.)

It's amazing how you can always improve a story. I didn't change big things, and some would argue that small changes like the ones I performed couldn't matter that much to the overall reader experience ...

That might be true, because the book has been out in the world as an advanced reader copy for awhile now -- advanced readers seem to be enjoying the story. But still. I'm a proponent of subtle changes for overall improvement in my storytelling. No one else may care. But I do. (But then, you gotta stop. JUST. STOP. after awhile. Let the beast go. Be free, fledgling novel!) 

So, yeah, I put on my nit-pik hat, and this is what I came up with besides leftover typos and awkward word choices and grammatical bloopers:

1. Murkiness factor. Mysteries work because they are purposefully murky until the end of the story. I deleted and adjusted dialog that was too spot-on, i.e. dialogue in which one character was talking with too much clarity. I thought, Wow, that's certainly shining too much of a light on such-and-such character or event or bit of information. In my own writer self-talk, I call this toning it the hell down. :-)

2. Subtle consistency errors. The consistency errors I fixed had to do with proper setup for events that come toward the end of the novel. True, most readers probably won't catch these things, but there is an overall effect as one scene builds on another and on another, and you get to know the characters. Readers are left with feelings about the characters without knowing why all the time. The point for me is not to come out of left field all of sudden at the end of the novel.

3. Lingo adjustments. My novels are set in Ireland, so I try to be conscience of using the correct vernacular. I'm sure I don't catch everything, but, for example, in my final proofread, I changed "steal" to "pinch," "rent" to "let," and "mom" to "mum."

4. Improve the last chapter. I have my wonderful editor, Nicole, to thank for this one. She had made some edits to the final chapter with a passing comment that made me realize that I'd floated off course with one of my subplots. Just a little, but it was enough to bug me. The last chapter didn't hang right. This was with Danny, my detective, having a heartfelt moment with his kids. The final moment, the final decision he's making in this story. And it's a big decision. So, yeah, I adjusted that chapter, and went back and employed number two above.

5. Simplified backstory aspects from the previous novels. One of my eternal questions as a writer of a series is how much of the previous novels' backstories to include in the current novel. I want my novels to standalone as much as possible. For me, this means NOT dumping all the details in from previous novels. I don't like info dumps. That's just me. I prefer to simply not mention past events or background character details that aren't germaine to the current story. For example, the fact that Danny has a dead daughter from years back didn't need to be mentioned -- mentioning this daughter added more question marks than it clarified Danny's character.

So now, having gone through this process, I can finally say that I've done all that I can possibly do to create the best book I'm capable of at this moment in time. Whew!

How forgiving of typos are you when you read novels? (Me, I'm very forgiving now; before writing novels I used to be a hard ass.)

Studying 1888 Politics

Edith Maxwell here. Now that Called to Justice is launched to rave reviews ("A grand slam!" "A riveting historical mystery," "A mystery that surprises," and "A real page turner," I'm starting to write the fourth book in the Quaker Midwife Mysteries series. Wait, you say. What about Book Three?

Turning the Tide is already in production, and you can pre-order it (please do!) but the cover isn't up yet.

I loved writing this book. The story takes place during presidential election week of 1888. Here's the cover blurb:

Excitement runs high during Presidential election week in 1888. The Woman Suffrage Association plans a demonstration and movement leader Elizabeth Cady Stanton comes to town to rally the troops. When Quaker midwife Rose Carroll finds the body of the group's local organizer the next morning, she can't help but wonder who could have committed the murder.

Rose quickly discovers several people who have motives. The victim had planned to leave her controlling husband, and a recent promotion had cost a male colleague his job. She had also recently spurned a fellow suffragist's affections. After Rose's own life is threatened, identifying the killer takes on a personal sense of urgency.

What do you think? Sound like a fun read? The research was even more fun. I learned about election cakes. Women used to make these huge fruitcakes and the political party would give out pieces to men entering the polling place in an attempt to woo their vote.

I learned that the parties had different color ballots, and that the party regulars wore different color top hats while campaigning.

 I also studied up on women's suffrage. At the time they wore sunflower yellow sashes to protests and carried placards with slogans like, “Women Bring All Voters Into The World. Let Women Vote,” “Ballots for Both,” “Equal Suffrage,” and “Votes for Women.” Many of the suffrage leaders were Quakers like my midwife, so it wasn't a stretch to make Rose's mother an activist, too. John Greenleaf Whittier goes into vote in the election morning scene, and then comes to stand in solidarity with the women across the street from the polling place.

It was great fun studying Elizabeth Cady Stanton and bringing her  to Amesbury to support the women. She appears in several scenes in the book, even though I don't know if she actually ever visited my town where the series takes place. She was moving on to essays on personal responsibility, and I extracted bits of one for a talk she gave to a women's salon I portray in the book. 

Incumbent Grover Cleveland didn't win the election, as it turns out, even though Rose was on his side. And her investigation of the activist's murder turns dangerous, too. You'll have to read the book to find out if Rose is defeated or not.

What's your favorite election story, or factoid about either elections or women's suffrage in the past? 

Publishing and Promoting

by Linda O. Johnston

            Last month was a busy one for me.  I spent a lot of it doing what novel writers gotta do: write and promote. 

 

            I once thought that writers just wrote, but thanks to the publication of a nice number of books I learned that part of the requirement--and fun--is to promote.

 

            And so, I did a lot last month to let the world know about the launch of my third Barkery & Biscuits Mystery, Bad to the Bone, published by Midnight Ink. 

 

            I talked about it on my usual blogs, and also went on a Great Escapes blog tour.  I visited libraries.  I visited book stores.  I encouraged reviews.  But none of this sounds new to those of you reading this who also happen to be writers.

 

            I also had a June 1 deadline for turning in the manuscript for Barkery book #4.  Its title isn't established yet, but I did meet the deadline despite some health issues, so I'm glad about that.  And those of you reading this who also happen to be writers also know a lot about deadlines.

 

            One would think that, as with any career, learning what to do to could get stale with time.  But that's one fun thing about being a novelist.  Things may be the same, but they're also different.  We meet lots of people, in person and online.  We're always plotting, so our minds are never inactive. 

 

            And then, when the latest book comes out, we celebrate, in lots of ways--which of course includes those elements of promotion.

 

            So Happy June to all of you.  And may it be productive in your own plotting, promoting, reading, and everything else you do!