On Encore Suspense I've been enjoying
Thirteen Days of Alfred Hitchcock in honor of his 113th Birthday on the 13th
of August, today. Since I'm sure we're all fans of the Master of Suspense,
I wanted to honor him as well on this day. So this post will be all about Hitch
and what he means to me.
There was a time when my parents finally put
their foot down and refused to allow me to watch horror movies, rightly so. I
was around age eleven and still kept waking them in the middle of the night to
check for monsters or serial killers (In my defense I was living in Central
Florida near a swamp, both were very prevalent at the time). I was
forbidden to watch anything with either save for the Universal Horror classics
like The Bride of Frankenstein and The Mummy as
the gore factor was a minimum. As I am me, I became obsessed with them watching
the whole cannon. When Halloween Horror Nights (HHN) came around at Universal
Studios about ten miles from my house I begged my father to take me so I could
meet the monsters. (Please note the same never went for the Disney characters.
I lost my shit, screaming like the pre-teen I was when I saw The Wolf Man as if
he were Justin Bieber, but walked right by Mickey Mouse. As I said a million
times before, I was a weird child.) At HHN Dad took me to the Hitchcock movie
magic show, where you could see props from movies, a 3-D The Birds show,
and a re-enactment of the shower scene from Psycho with
audience participation. There I met Mr. Hitchock and his work. Good-bye
monsters, hello Hitch.
As obsessively as my monster phase, so
was my Hitchcock phase. Spies, conspiracies, serial killers, evil housekeepers,
swarms of birds, I immersed myself in them. It was my first
introduction to suspense, mystery, and intrigue using not only story and
character but the tone set by use of lighting and camera angle.
I learned that shock wasn't the only effective way to
unnerve people. The slow burn was just as discomforting. I still always keep in
mind his classic example of suspense versus shock. Shock being the main
character walks into an office and right away a bomb goes off. Suspense is when
the audience is shown the bomb then the characters keep talking, unaware of the
bomb as the audience is. The thrill is prolonged with the latter, and in
my opinion is better.
I also loved that evil could be found where you
least expected it. On a train, in a motel, across the table from you. The
characters rarely went looking for trouble, it always just found them. Nowhere
was safe, just as in real life. One day you're sitting in a hotel lobby, the
next you're being chased by a plane in a corn field due to a case of mistaken
identity. His movies also taught me that a villain could be
sympathetic. Mrs. Danvers, Bruno Antony, even Norman Bates, they all had tragic
back stories, desires that could never be fulfilled. They were overlooked
by society and it drove them a little mad, as we all go sometimes. I try to
incorporate all of these factors into my books. There are no absolutes in life,
no one is wholy good or bad, but watch out when Mr. Hyde surfaces. You could
end up being hacked to death in a shower or have your loved one attacked by the
serial killer you've been watching through your window. That is Mr. Hitchcock's
legacy, and I am beyond proud to have the ability to make even a tiny
contribution to carrying on that legacy.
My Top Five Favorite
Hitchcock Films
1. Shadow of a Doubt
2. Psycho
3. Strangers on a Train
4. Vertigo
5. Notorious
What about you? Which are your favorite Hitch
movies? How have they impacted your writing or reading habits?
Happy Birthday Hitch!
6 comments:
Great post, Jennifer. My top five are Marnie, Strangers on a Train, Rear Window, Vertigo, and Frenzy. (And I also love that hilarious homage to Hitch from Mel Brooks, High Anxiety! ;-))
All good ones
Jennifer, thanks for the list! I haven't watched much Hitchcock, but I think it's time to try some.
Great post, Jennifer! Along with the Hitchcock movies you mentioned, I loved Rear Window and The Birds.
I was with you in re to Hitch till I saw that you left off To Catch A Thief, not a great film but a great movie, and Rear Window, which I just saw last month at the Brooklyn Academy of Music. Come on, Jennifer!
Just couldn't get into Rear Window. But I did enjoy To Catch a Thief. My next book's title is a play on it To Catch a Vampire.
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