By Lisa Alber
Path Into Darkness is out in the world now. My third novel, and I can't help but compare the book launch day experience for this novel against the same day for my debut novel, Kilmoon. There's nothing like a debut novel. I remember wiser novelists cautioning me to remember to enjoy the experience; it only comes around once.
So true! But, just to play Devil's Advocate with myself, in some ways, thank goodness the experience only comes around once! Here are the five ways that I enjoyed the book launch for Path Into Darkness.
1. It wasn't heady, loud, OMG everything is going to change BECAUSE I'LL BE PUBLISHED AUTHOR. So much stress and drama to go along with the thrill. Every year, the new batch of debut authors reveal themselves, and I so understand how big and new everything is, and I think, I was like that too; that was fun; but I'm glad I'm here now.
By contrast, what was launch day like this time around? Pleasant and relaxed because I had no expectations. I woke up and got my writing in for the day as usual before doing the online thing.
2. Not having a book launch party the week of book launch. The past two book releases I had the party at my local bookstore the week of. Ugh. I'm a stressed-out event planner anyhow, and I'm not exactly an extrovert who loves being the center of attention. I planned big parties in the local Irish pub and made a big production of them, especially for Kilmoon. I mean, you gotta for the first book, granted, but, man--too much stress!
So what am I doing this time around? My launch party is next week, a couple of weeks after book launch day. Best yet, it will be a joint event with two other author friends with books out now too. I'm so much more relaxed -- and I'm even looking forward to it! (That's mostly a joke, but not 100%.)
3. The little things that surprise me. Since I don't have huge expectations anymore, I found great pleasure in the little things that posted online. For example, I was the book of the day for Foreword Reviews. I enjoyed sharing that. Other mentions and reviews and hurrahs came through too. I appreciated every one of them.
4. I don't feel desperate. I have a way more relaxed attitude about the whole thing when it comes to readers. I remember for Kilmoon, I was so nervous. It was like my very existence hinged on whether people would like my book, and how many (sales!) of them there were. It's true that promotion is an important part of our jobs, but I now understand how little control I actually have. That's a relief. Honestly.
So what is it I'm really saying? I've returned to the love of process. I love writing. Just that. I'm writing the first draft of my next book now, and I'm having so much fun with it. Just gotta keep writing!
5. Holding the book in my hands. This is one of the few things that hasn't changed. I brought a copy to a few parties over the last month for show-and-tell, like I was showing off my newborn infant. I still take pride in my work. It's an awesome feat, to complete a novel all the way to the point of publication. I'm honored to be a member of the tribe, and I appreciate it so much.
On a related note, one of the things that was cool this time around was holding a book in which the flap copy says things like, "By the author of Whispers in the Mist, heralded by Library Journal as “a first-rate crime novel,” comes this haunting tale of family secrets, madness, and healing in small-town Ireland." It feels weighty in a nice way, like, yes, I have a track record now, and it's pretty darned good. I'm surprised by how good this feels.
And 6. This just came to me. There are people out there who have been looking forward to the next in my series. I didn't notice this so much for the second book, because it's a second--that's it own thing--but now? It's so--I don't know--heartwarming? It's like, Wow, I've written stories that people are telling me they're excited to read. That they CAN'T WAIT to read. I don't know what the word for this is, actually. Mind-boggling comes pretty close. :-)
Showing posts with label book launch. Show all posts
Showing posts with label book launch. Show all posts
Thursday, August 17, 2017
Thursday, July 20, 2017
PATH INTO DARKNESS: Third Book Makes a Series + GIVEAWAY!
By Lisa Alber
Three is a magic number in the land of novel publication. With three books, a series becomes a full-fledged series, and even if you never write another book in that series, you can call it a "trilogy." My third novel in the County Clare series comes out in less than three weeks (woohoo!). I'm proud of it, to be honest. I took a few risks in the storytelling and pushed my own boundaries with the subject matter and with the topic of mental illness.
To celebrate PATH INTO DARKNESS' launch, there's a Goodreads giveaway going on until July 26th. Please enter for the chance to win a signed advanced readers copy of this novel!
Enter Giveaway
Here's more information about the book:
By the author of Whispers in the Mist, heralded by Library Journal as “a first-rate crime novel,” comes this haunting tale of family secrets, madness, and healing in small-town Ireland
Lisfenora is known across the British Isles for its yearly matchmaking festival. But a local man’s murder and the grim discovery in his home have cast a somber mood over the town. Detective Sergeant Danny Ahern tries to make sense of the chaotic scene while struggling to set aside moral conflicts and grief for his comatose wife. Within days, he’s plunged into even darker terrain when the investigation leads him on a collision course with the Tate family: troubled Nathan, who conceals secrets within ghastly secrets, and beautiful Zoe, the daughter Nathan abandoned years ago.
In this “dark, compelling mystery” (Booklist), one man is propelled toward a tragic downfall while the other struggles to walk the narrow path between life and death.
Praise:
"An
atmospheric story of Ireland, filled with myth and darkness. . . Fans
of Erin Hart's dark Irish crime novels should welcome this series."—Library Journal (starred review)
"A dark, compelling mystery with numerous plot twists and well-drawn characters interwoven with an involving portrait of life in a small insular Irish village."—Booklist
“Lyrical, tense, and haunting . . . the story propels the reader to a
conclusion that is heartbreaking, human, and hopeful.”—Deborah
Crombie, New York Times bestselling author of Garden of Lamentations
“Each strand in this terrific novel is absorbing enough to carry books on its own, yet Alber effortlessly weaves them into a breathtaking ensemble.”—Catriona McPherson, Agatha Award–winning author of Quiet Neighbors
Three is a magic number in the land of novel publication. With three books, a series becomes a full-fledged series, and even if you never write another book in that series, you can call it a "trilogy." My third novel in the County Clare series comes out in less than three weeks (woohoo!). I'm proud of it, to be honest. I took a few risks in the storytelling and pushed my own boundaries with the subject matter and with the topic of mental illness.
To celebrate PATH INTO DARKNESS' launch, there's a Goodreads giveaway going on until July 26th. Please enter for the chance to win a signed advanced readers copy of this novel!
Goodreads Book Giveaway
Path Into Darkness
by Lisa Alber
Giveaway ends July 26, 2017.
See the giveaway details at Goodreads.
See the giveaway details at Goodreads.
Here's more information about the book:
By the author of Whispers in the Mist, heralded by Library Journal as “a first-rate crime novel,” comes this haunting tale of family secrets, madness, and healing in small-town Ireland
Lisfenora is known across the British Isles for its yearly matchmaking festival. But a local man’s murder and the grim discovery in his home have cast a somber mood over the town. Detective Sergeant Danny Ahern tries to make sense of the chaotic scene while struggling to set aside moral conflicts and grief for his comatose wife. Within days, he’s plunged into even darker terrain when the investigation leads him on a collision course with the Tate family: troubled Nathan, who conceals secrets within ghastly secrets, and beautiful Zoe, the daughter Nathan abandoned years ago.
In this “dark, compelling mystery” (Booklist), one man is propelled toward a tragic downfall while the other struggles to walk the narrow path between life and death.
Praise:

"A dark, compelling mystery with numerous plot twists and well-drawn characters interwoven with an involving portrait of life in a small insular Irish village."—Booklist
“A haunting tale rife with gruesome murders and secrets, Path into Darkness shines.”
—Foreword Reviews
“Each strand in this terrific novel is absorbing enough to carry books on its own, yet Alber effortlessly weaves them into a breathtaking ensemble.”—Catriona McPherson, Agatha Award–winning author of Quiet Neighbors
Thursday, April 20, 2017
When the Book Reviews Start Coming In ...
By Lisa Alber
There's this pause the occurs--at least for me--after handing off a manuscript to the publisher and before the book reviews start coming in (i.e. the reality of our stories out in the real world) that fills me with a combination of excitement and dread.
By the time I hand off a novel, I don't want to think about it for a long, long time. But this is impossible because I've gotta start thinking about marketing and promotion, and once that enters my head, I inevitably wonder about the novel's reception in the real world.
As I said to a friend last week, "I'm kind of curious about what Path Into Darkness's reception is going to be like."
"Curious?" C said. She's a fellow mystery novelist though on the lighter end of the spectrum.
I knew she was wondering about my word choice. "Curious" is a curious word to use, for sure. It might have been code for "worried" or "scared shitless," but ... hmm ... not entirely. I really was curious. Because I felt--and still feel--that I tend to stretch the boundaries of my chosen fiction genre.
Readers might think they're picking up a traditional mystery, but they're not. Not really. And, of course, this gets me thinking about expectations and disappointment. I've never thought about these two topics as much as I have since getting published.
Some readers' expectations stem from the way a book looks and the way it's marketed. And, see, I have no control over this. This is part of what the pause I mentioned above is all about: the moment I lose control of the story around my story. This is why I get curious. I know what I was about while I writing, but will readers get what I was about while writing? Some will; some won't. Some will like it; some won't. Nothing I can do about any of this.
I've decided that I'm going to create a new genre within the mystery category: psychological whydunits, which could also be called :psychological suspense," I suppose, except that I do use traditional elements. The plain truth is that the whodunit has never interested me as much as the whydunnit, but that may be because I adore psychology, in general.
But, all's well that ends well--for the moment anyhow. I received my first two reviews from reviewing entities. And they were good! Whew!
"A dark, compelling mystery with numerous plot twists and well-drawn characters interwoven with an involving portrait of life in a small, insular Irish village." --Booklist
"Dark and haunting ... The author's complex and tightly-woven tale filled was filled with colloquial phrases that added an air of authenticity to the story." --Books and Benches
There's this pause the occurs--at least for me--after handing off a manuscript to the publisher and before the book reviews start coming in (i.e. the reality of our stories out in the real world) that fills me with a combination of excitement and dread.
By the time I hand off a novel, I don't want to think about it for a long, long time. But this is impossible because I've gotta start thinking about marketing and promotion, and once that enters my head, I inevitably wonder about the novel's reception in the real world.
As I said to a friend last week, "I'm kind of curious about what Path Into Darkness's reception is going to be like."
"Curious?" C said. She's a fellow mystery novelist though on the lighter end of the spectrum.
I knew she was wondering about my word choice. "Curious" is a curious word to use, for sure. It might have been code for "worried" or "scared shitless," but ... hmm ... not entirely. I really was curious. Because I felt--and still feel--that I tend to stretch the boundaries of my chosen fiction genre.
Readers might think they're picking up a traditional mystery, but they're not. Not really. And, of course, this gets me thinking about expectations and disappointment. I've never thought about these two topics as much as I have since getting published.
Some readers' expectations stem from the way a book looks and the way it's marketed. And, see, I have no control over this. This is part of what the pause I mentioned above is all about: the moment I lose control of the story around my story. This is why I get curious. I know what I was about while I writing, but will readers get what I was about while writing? Some will; some won't. Some will like it; some won't. Nothing I can do about any of this.
I've decided that I'm going to create a new genre within the mystery category: psychological whydunits, which could also be called :psychological suspense," I suppose, except that I do use traditional elements. The plain truth is that the whodunit has never interested me as much as the whydunnit, but that may be because I adore psychology, in general.
But, all's well that ends well--for the moment anyhow. I received my first two reviews from reviewing entities. And they were good! Whew!
"A dark, compelling mystery with numerous plot twists and well-drawn characters interwoven with an involving portrait of life in a small, insular Irish village." --Booklist
"Dark and haunting ... The author's complex and tightly-woven tale filled was filled with colloquial phrases that added an air of authenticity to the story." --Books and Benches
Lisa Alber is the author of the County Clare mysteries. Her debut novel, Kilmoon,
has been called "utterly poetic" and "a stirring debut." Her second in
the County Clare mysteries, Whispers in the Mist, came out in August from
Midnight Ink Books. Look for PATH INTO DARKNESS in August 2017. Ever
distractible, you may find her staring out windows, fooling around
online, or drinking red wine with her friends. Ireland, books, animals,
photography, and blogging round out her distractions. Facebook | Twitter
Thursday, August 18, 2016
Celebrating a Book Launch: WHISPERS IN THE MIST Goes Live!
By Lisa Alber
Last week my second novel, Whispers in the Mist, landed in bookstores. It launched! Yay! I love the word "launch" to describe publication day for novels. It's a word that begs for a little fanfare, doesn't it? I always picture a rocket with mega-tons of potential energy stored up inside it, ready to ignite and achieve lift off.
Well, we've got lift off! It's always exciting, if a little hectic. There's a ton to do to help prepare books to meet the world -- social media, book events, giveaways, and launch parties, just to name a few tasks.
What was funny about my launch prep was that I realized I didn't know how to describe WHISPERS in a succinct yet enticing way. Yeeks! Somehow, I'd forgotten to think about that. You'd think it would be easy, but it's not. In part, because my head is inside the next novel I'm writing, and, in part because coming up with succinct yet enticing three-sentence synopses is an art form I haven't mastered yet.
Whisper in the Mist is about the search for a mysterious man that the Garda (Irish police) call "Grey Man," who appears to be connected to a series of deaths, past and present. When a brother and his mute sister arrive in Lisfenora village to hunt down their mother's killer, Detective Sergeant Ahern finds himself helping them with tragic results. The investigation turns personal for him in ways that he could never have imagined, and Grey Man becomes more elusive the closer Danny gets to the truth.
How does that sound? Pretty good?
I always end up mentioning other aspects of the story, like the French Mastiff named Bijou who plays a small but heroic role in the outcome, like the teenage boy who dies in DS Ahern's arms, like the phantom graffiti artist who leaves cryptic messages around the village.
You can read more about Whispers in the Mist on my website.
Here are a few pictures from my launch party last Friday night. As fitting for a novel set in Ireland, I held the party at O'Connor's Pub in Portland, OR.
Last week my second novel, Whispers in the Mist, landed in bookstores. It launched! Yay! I love the word "launch" to describe publication day for novels. It's a word that begs for a little fanfare, doesn't it? I always picture a rocket with mega-tons of potential energy stored up inside it, ready to ignite and achieve lift off.
Well, we've got lift off! It's always exciting, if a little hectic. There's a ton to do to help prepare books to meet the world -- social media, book events, giveaways, and launch parties, just to name a few tasks.
What was funny about my launch prep was that I realized I didn't know how to describe WHISPERS in a succinct yet enticing way. Yeeks! Somehow, I'd forgotten to think about that. You'd think it would be easy, but it's not. In part, because my head is inside the next novel I'm writing, and, in part because coming up with succinct yet enticing three-sentence synopses is an art form I haven't mastered yet.
Whisper in the Mist is about the search for a mysterious man that the Garda (Irish police) call "Grey Man," who appears to be connected to a series of deaths, past and present. When a brother and his mute sister arrive in Lisfenora village to hunt down their mother's killer, Detective Sergeant Ahern finds himself helping them with tragic results. The investigation turns personal for him in ways that he could never have imagined, and Grey Man becomes more elusive the closer Danny gets to the truth.
How does that sound? Pretty good?
I always end up mentioning other aspects of the story, like the French Mastiff named Bijou who plays a small but heroic role in the outcome, like the teenage boy who dies in DS Ahern's arms, like the phantom graffiti artist who leaves cryptic messages around the village.
You can read more about Whispers in the Mist on my website.
Here are a few pictures from my launch party last Friday night. As fitting for a novel set in Ireland, I held the party at O'Connor's Pub in Portland, OR.
Thursday, July 21, 2016
Moonstones, Intuition, and My Upcoming Novel
By Lisa Alber
I'm cheating this week. This post comes from my blog. I ran out of time to write an original post -- yeeks. I'm hard at work on my novel for next year. AND, Whispers in the Mist comes out in less than three weeks! Midnight Ink is hosting a Goodreads giveaway for Whispers. Cheers!
I'm cheating this week. This post comes from my blog. I ran out of time to write an original post -- yeeks. I'm hard at work on my novel for next year. AND, Whispers in the Mist comes out in less than three weeks! Midnight Ink is hosting a Goodreads giveaway for Whispers. Cheers!
***
I recently visited my favorite local coffeeshop, Driftwood Coffee, to splurge on an iced mocha. I love walking there with my dog on a lazy Sunday afternoon. The shop is a feast for the eyes because of the way the owner has decorated it. An old ladder hanging along the ceiling festooned with lights and dangling trinkets, a colorful collection of shutters arranged on the wall like a mosaic, shelves of locally made arts and crafts.
This moonstone necklace caught my eye, and it reminded me of my second novel, Whispers in the Mist. One of my protagonists, Merrit, wears a moonstone necklace that came from her mom. In fact, the necklace is one of Merrit's most cherished possessions. In my first novel, we learned that Merrit's long-lost father gave the necklace to her mother just before their relationship ended tragically. We also learn that moonstone is said to enhance intuition.
Intuition is a funny thing. Whenever I hear someone say, "I'm intuitive," I suspect they're talking about being psychic or highly empathic, as if "intuitive" is a superpower code word. Maybe thousands of years ago, when we were closer to nature, we were kind of psychic--this was our norm as a species ... I don't know. It just gets me thinking, is all. Like, maybe our world is so full of stuff and sounds and sensory inputs and social media and JUNK, that there's no way for the still, small voice of intuition to get heard.
Maybe people who do hear their intuition believe it to be a superpower because it's such a rare thing. Again, I don't know.
I believe intuition is an aspect of our humanity, but we're far away from our true natures, most of the time. The closest I get to feeling intuitive (and in those moments I do feel empowered) is within my writing process. Perhaps this is one of the many reasons I'm attracted to writing fiction--I get closer to my core. Sometimes I feel a welling of knowingness about some plot point or character insight. A-HA! My body reacts in a happy way, all tingly and excitable. I like to think my body is rewarding me for paying attention to my intuition.
Intuition is a sub-theme in my novels. It's something Merrit thinks about quite often. In Whispers in the Mist, coming out August 8th, she could use more intuition when a mysterious women steals her necklace right off her neck. Merrit is about to discover that her necklace has a connection to a past murder.
Do you consider yourself an intuitive person? What does "intuition" mean to you?
Monday, April 11, 2016
BOOK LAUNCH MONDAY | Bill Fuller's Journey from Scripts to Novels
Web mistress Lisa here to introduce Bill Fuller, whose debut novel, A Girl's Guide to Landing a Greek God, has just released. Today he shares his learning curve in transitioning from TV writing to novel writing. Please welcome Bill! ~Lisa
My Journey from Scripts to Novels
I was seven years old when I took
my first stab at writing, penning a sequel to Mary Poppins with Crayolas and construction paper. I eventually traded it to a friend for three
packs of Batman cards, but the fire had been lit.
Three days ago, on April 8, that fire was stoked by the publication of my first novel, A Girl’s Guide to Landing a Greek God. Like Mary Poppins, my book combines fantasy and reality as well as joyous experiences and sobering losses. It tells the story of Angie Costianes, a woman from Queens who ditches her wedding because she’s not feeling the love and travels to an uncharted island where the gods of Olympus are plotting their return to power. In the course of her adventures, she tangles with all the bigwigs, from Zeus to Hades; battles monsters both reptilian and lipsticked; and romances Milos, a descendant of the Olympians who, as it happens, has been crushing on her for years even though they’ve never met. The book has been categorized as both a mystery and a romance, but I consider it a hybrid—a romantic action-adventure, if you will.
Three days ago, on April 8, that fire was stoked by the publication of my first novel, A Girl’s Guide to Landing a Greek God. Like Mary Poppins, my book combines fantasy and reality as well as joyous experiences and sobering losses. It tells the story of Angie Costianes, a woman from Queens who ditches her wedding because she’s not feeling the love and travels to an uncharted island where the gods of Olympus are plotting their return to power. In the course of her adventures, she tangles with all the bigwigs, from Zeus to Hades; battles monsters both reptilian and lipsticked; and romances Milos, a descendant of the Olympians who, as it happens, has been crushing on her for years even though they’ve never met. The book has been categorized as both a mystery and a romance, but I consider it a hybrid—a romantic action-adventure, if you will.
Although my writing career has
spanned more than thirty years, it took me until last week to achieve this particular
milestone. I’ve worked as a newspaper reporter,
a small-town movie critic and a public relations specialist. But I’ve spent the bulk of my years writing
and producing half-hour television. It’s
been a great ride, with stints on shows like Newhart, Night Court, Living Single and Hope & Faith. These
days, I’m consulting on an animated kids’ show for Disney Junior Channel called
Puppy Dog Tales. I often joke with friends that as I
get older, the TV audience I’m writing for gets younger.
Even though I’ve enjoyed the heck out of working in television, I’ve never lost the desire to write a novel. So a few years ago, I decided to put that passion to the test by turning one of my unsold screenplays into a novel. I figured, how hard could it be? I was already a writer. It just meant shifting gears a little, right?
Boy, was I in for a wakeup call.
The experience of transitioning from scripts to novels has been both humbling and enriching. And while I still have a ways to go, I think I’m finally on the verge of being able to call myself a novelist. With that in mind, I thought I’d blog about two of the differences I’ve experienced between the two mediums—one in the writing and the other in the process itself.
First off, when you’re writing half-hour television,
virtually everything is expressed through dialogue. Sure, there are the occasional nods and sighs
and furtive glances, but just about every element of the story happens as a
result of characters speaking with one another, usually within a handful of
locations for reasons of practicality and budget. That’s because your soundstage is only so big,
and even though it costs upwards of a million dollars to produce a half-hour episode
of television, a lot of that money gets eaten up in cast salaries.
In a novel, dialogue is still important, but equally important is internal monologue—what’s going on inside the heads of characters. That never occurred to me when I lifted big chunks of dialogue out of my screenplay and plopped them onto the page. Other than occasional breaks for action, there was little to the manuscript other than talk, and virtually no insight into what was going on in my characters’ minds. What was my college football hero thinking as he flirted with the young bookkeeper he met at a school dance in 1919? Was he as cocky as he came off, or was he so awed by her beauty and wit that he was surprised he was getting the words out? And what was she thinking when she boldly matched him word for word? Was she intrigued about where this might lead or scared half to death?
Description is also much more important in novels than in TV scripts. A living room that might be described in a sentence in a half-hour script might take several pages to describe in a novel. That’s partly because your so-called standing sets in television (the bar on Cheers, the coffee shop in Friends) already exist, and everyone involved in the process knows what they look like. And your occasional one-time-only sets (called swing sets), can be described to your set designer in person rather than by increasing the page count of a script that’s often required to be no more than a certain length.
In any case, neither of those things was obvious to me when I set out to write my first novel. But thanks to the help of a friend who’s a seasoned novelist, I learned how to expand my sequences so there was often as much going on internally as externally. It was hard at first. I felt like I was forcing it, when in reality, I wasn’t going deep enough into my characters’ heads. In regard to description, being an impatient person I often thought, “Let’s just get to it,” rushing through description to get to the heart of the scene. But over time, I learned that getting there is often as interesting as being there. And it certainly paints a more vivid picture.
The other difference I’ve experienced is in how the two products are put together. When you’re a writer in Hollywood, the process is very collaborative. While you still come up with jokes and story ideas on your own, you’re working on a staff with ten or more writers, so the final product is usually the result of a group-think process. Somebody comes in with an idea that everyone agrees would make a good story, and you work as a group to “break” it, fleshing it out scene by scene, before sending a writer off to do an outline, followed by two drafts of a script. At each stage, the group, led by the executive producer, gives the writer feedback or “notes” on the script. Then, when the script is handed in for good, the executive producer leads the group in taking a pass at it, known as “tabling.” During this process, jokes often change and whole scenes can be replaced. I’ve occasionally been in situations where no more than a couple of my original lines have remained. Not the most secure feeling in the world, but a reality of the business.
When you’re writing a novel, you’re on your own. You’re coming up with your story and dialogue while sitting in front of your computer, running on a treadmill, sipping coffee or walking your dog. It’s all you. That might seem like a huge amount of freedom, but for me it was intimidating. After twenty-some years of working on a writing staff, I was suddenly all alone, staring at a blank screen. Some days, I’d start writing with no particular plan, just to assure myself I was still a writer. But because most of those days went nowhere, I learned to brainstorm on my own. Not that I haven’t leaned on my friends and fellow novelists for ideas, but by and large I’ve learned to do it alone, without the safety net of another creative mind.
But there are benefits. When you’re writing a novel, you have the freedom to create an infinite universe, one that’s not limited by budget restraints or an actor’s abilities. And there’s something to be said for the feeling you get at the end of the day when you can sit back and acknowledge you did it all yourself.
In spite of the differences between the two mediums, there are some basic similarities. Both are essentially about setting up a good story, then telling it compellingly and passionately. And whether I’m writing a script or a novel, I love creating something original. That doesn’t mean it comes easily. There have been days in comedy writing when the jokes didn’t flow and many, many days as a novelist when I couldn’t get a plot point right or make a passage read as anything other than hopelessly awkward. But when it does come, when you finally make a piece of writing sing, it’s an amazing feeling of joy and accomplishment.
I hope all that shows in A Girls Guide to Landing a Greek God. It certainly was a kick to take my little nugget of an idea all the way to publication.
Thanks for joining us, Bill! Readers, what surprises or interests you about Bill's journey? Which would be more challenging for you--writing collaboratively or writing solo?
Bill Fuller is a novelist as well as a television writer and producer. As a producer, his credits include Hope & Faith, For Your Love and Living Single. Before becoming a producer, he was an executive story editor on the long-running series Night Court and story editor for Newhart, as well as a writer for numerous other television series for Paramount, USA, NBC Universal, HBO, Disney, and others.
His first novel, A Girl’s Guide to Landing a Greek God, was published this month by Llewellyn Worldwide, and is the first of a trilogy. He’ll follow it up with a standalone novel, The Forever Year, in July. He lives in Redondo Beach, California, but still holds his hometown of Warren, Ohio, close to his heart. Read more about his books at http://www.billfullerbooks.com.
You can find A Girl’s Guide to Landing a Greek God online through Amazon and Barnes & Noble.
Even though I’ve enjoyed the heck out of working in television, I’ve never lost the desire to write a novel. So a few years ago, I decided to put that passion to the test by turning one of my unsold screenplays into a novel. I figured, how hard could it be? I was already a writer. It just meant shifting gears a little, right?
Boy, was I in for a wakeup call.
The experience of transitioning from scripts to novels has been both humbling and enriching. And while I still have a ways to go, I think I’m finally on the verge of being able to call myself a novelist. With that in mind, I thought I’d blog about two of the differences I’ve experienced between the two mediums—one in the writing and the other in the process itself.
![]() |
Me (top row, second from left) and my writing/executive-producing partner, Jim Pond, (second row, far left), along with the cast of the long-running Fox series, Living Single. |
In a novel, dialogue is still important, but equally important is internal monologue—what’s going on inside the heads of characters. That never occurred to me when I lifted big chunks of dialogue out of my screenplay and plopped them onto the page. Other than occasional breaks for action, there was little to the manuscript other than talk, and virtually no insight into what was going on in my characters’ minds. What was my college football hero thinking as he flirted with the young bookkeeper he met at a school dance in 1919? Was he as cocky as he came off, or was he so awed by her beauty and wit that he was surprised he was getting the words out? And what was she thinking when she boldly matched him word for word? Was she intrigued about where this might lead or scared half to death?
Description is also much more important in novels than in TV scripts. A living room that might be described in a sentence in a half-hour script might take several pages to describe in a novel. That’s partly because your so-called standing sets in television (the bar on Cheers, the coffee shop in Friends) already exist, and everyone involved in the process knows what they look like. And your occasional one-time-only sets (called swing sets), can be described to your set designer in person rather than by increasing the page count of a script that’s often required to be no more than a certain length.
In any case, neither of those things was obvious to me when I set out to write my first novel. But thanks to the help of a friend who’s a seasoned novelist, I learned how to expand my sequences so there was often as much going on internally as externally. It was hard at first. I felt like I was forcing it, when in reality, I wasn’t going deep enough into my characters’ heads. In regard to description, being an impatient person I often thought, “Let’s just get to it,” rushing through description to get to the heart of the scene. But over time, I learned that getting there is often as interesting as being there. And it certainly paints a more vivid picture.
The other difference I’ve experienced is in how the two products are put together. When you’re a writer in Hollywood, the process is very collaborative. While you still come up with jokes and story ideas on your own, you’re working on a staff with ten or more writers, so the final product is usually the result of a group-think process. Somebody comes in with an idea that everyone agrees would make a good story, and you work as a group to “break” it, fleshing it out scene by scene, before sending a writer off to do an outline, followed by two drafts of a script. At each stage, the group, led by the executive producer, gives the writer feedback or “notes” on the script. Then, when the script is handed in for good, the executive producer leads the group in taking a pass at it, known as “tabling.” During this process, jokes often change and whole scenes can be replaced. I’ve occasionally been in situations where no more than a couple of my original lines have remained. Not the most secure feeling in the world, but a reality of the business.
When you’re writing a novel, you’re on your own. You’re coming up with your story and dialogue while sitting in front of your computer, running on a treadmill, sipping coffee or walking your dog. It’s all you. That might seem like a huge amount of freedom, but for me it was intimidating. After twenty-some years of working on a writing staff, I was suddenly all alone, staring at a blank screen. Some days, I’d start writing with no particular plan, just to assure myself I was still a writer. But because most of those days went nowhere, I learned to brainstorm on my own. Not that I haven’t leaned on my friends and fellow novelists for ideas, but by and large I’ve learned to do it alone, without the safety net of another creative mind.
But there are benefits. When you’re writing a novel, you have the freedom to create an infinite universe, one that’s not limited by budget restraints or an actor’s abilities. And there’s something to be said for the feeling you get at the end of the day when you can sit back and acknowledge you did it all yourself.
In spite of the differences between the two mediums, there are some basic similarities. Both are essentially about setting up a good story, then telling it compellingly and passionately. And whether I’m writing a script or a novel, I love creating something original. That doesn’t mean it comes easily. There have been days in comedy writing when the jokes didn’t flow and many, many days as a novelist when I couldn’t get a plot point right or make a passage read as anything other than hopelessly awkward. But when it does come, when you finally make a piece of writing sing, it’s an amazing feeling of joy and accomplishment.
I hope all that shows in A Girls Guide to Landing a Greek God. It certainly was a kick to take my little nugget of an idea all the way to publication.
Thanks for joining us, Bill! Readers, what surprises or interests you about Bill's journey? Which would be more challenging for you--writing collaboratively or writing solo?
Bill Fuller is a novelist as well as a television writer and producer. As a producer, his credits include Hope & Faith, For Your Love and Living Single. Before becoming a producer, he was an executive story editor on the long-running series Night Court and story editor for Newhart, as well as a writer for numerous other television series for Paramount, USA, NBC Universal, HBO, Disney, and others.
His first novel, A Girl’s Guide to Landing a Greek God, was published this month by Llewellyn Worldwide, and is the first of a trilogy. He’ll follow it up with a standalone novel, The Forever Year, in July. He lives in Redondo Beach, California, but still holds his hometown of Warren, Ohio, close to his heart. Read more about his books at http://www.billfullerbooks.com.
You can find A Girl’s Guide to Landing a Greek God online through Amazon and Barnes & Noble.
Monday, March 14, 2016
BOOK LAUNCH MONDAY | Kirsten Weiss and the Paranormal Museum
Web Mistress Lisa here to introduce Kirsten Weiss. I love the title of her latest novel, The Perfectly Proper Paranormal Museum. Please welcome, Kirsten! ~Lisa

When I titled my first cozy mystery The Perfectly Proper Paranormal Museum, I didn’t think Midnight Ink would let me keep the name. It’s too long for a decent tweet. It barely fits on a book cover. And sometimes even my tongue gets twisted saying it out loud.
But I’m glad they did, because the title usually gets a laugh. What, after all, could be perfectly proper about a paranormal museum?
One hosting a corpse, for starters. This is a mystery novel, after all.
What else might you find in the museum? A black cat with an attitude. A creepy doll room. A haunted rocking chair.
But it’s the people who really perfect the paranormal museum. The museum’s new owner, Maddie Kosloski, has to fend off a taxidermist determined to get his creations into the collection, a middle-aged collector of supernatural objects, and a range of quirky friends, frenemies, and relatives. Someone seems to always be dropping by bearing food and random demands.
Maddie might not believe in the supernatural, but her oversized imagination makes up for the lack. And she’s happy to cater to those who do believe, whether they be ghost hunters or goths or guests recovering from a tasting at a nearby winery.
The museum’s historical objects exert a powerful fascination over Maddie. Was that spirit cabinet really used by Madame Blavatsky’s second cousin to communicate with ghosts? Is the haunted Houdini poster an original or a reproduction? Notes on the exhibits are scarce and speculative, so Maddie’s got a lot of research to do... If solving a present-day murder mystery doesn’t kill her first.
So I invite you to crack open a book and enter the strange and wacky world of The Perfectly Proper Paranormal Museum, where nothing is as it seems, and murder is just around the corner…
Thanks, Kirsten! I'm trying to imagine what I'd like to see in a paranormal museum. Ooh, a haunted reliquary! I'd have to avoid the creepy doll room <shiver>. What about you, readers -- what do you imagine might be lurking in Kirsten's paranormal museum?
Kirsten Weiss worked overseas for nearly fourteen years in the fringes of the former USSR and in Southeast Asia. Her experiences abroad sparked an interest in the effects of mysticism and mythology, and how both are woven into our daily lives.
Now based in San Mateo, CA, she writes steampunk suspense and paranormal mysteries, blending her experiences and imagination to create a vivid world of magic and mayhem. Kirsten has never met a dessert she didn’t like, and her guilty pleasures are watching Ghost Whisperer re-runs and drinking red wine. Sign up for her newsletter to get free updates on her latest work at: http://kirstenweiss.com
What Makes a Proper Paranormal Museum?

When I titled my first cozy mystery The Perfectly Proper Paranormal Museum, I didn’t think Midnight Ink would let me keep the name. It’s too long for a decent tweet. It barely fits on a book cover. And sometimes even my tongue gets twisted saying it out loud.
But I’m glad they did, because the title usually gets a laugh. What, after all, could be perfectly proper about a paranormal museum?
One hosting a corpse, for starters. This is a mystery novel, after all.
What else might you find in the museum? A black cat with an attitude. A creepy doll room. A haunted rocking chair.
But it’s the people who really perfect the paranormal museum. The museum’s new owner, Maddie Kosloski, has to fend off a taxidermist determined to get his creations into the collection, a middle-aged collector of supernatural objects, and a range of quirky friends, frenemies, and relatives. Someone seems to always be dropping by bearing food and random demands.
Maddie might not believe in the supernatural, but her oversized imagination makes up for the lack. And she’s happy to cater to those who do believe, whether they be ghost hunters or goths or guests recovering from a tasting at a nearby winery.
The museum’s historical objects exert a powerful fascination over Maddie. Was that spirit cabinet really used by Madame Blavatsky’s second cousin to communicate with ghosts? Is the haunted Houdini poster an original or a reproduction? Notes on the exhibits are scarce and speculative, so Maddie’s got a lot of research to do... If solving a present-day murder mystery doesn’t kill her first.
So I invite you to crack open a book and enter the strange and wacky world of The Perfectly Proper Paranormal Museum, where nothing is as it seems, and murder is just around the corner…
Thanks, Kirsten! I'm trying to imagine what I'd like to see in a paranormal museum. Ooh, a haunted reliquary! I'd have to avoid the creepy doll room <shiver>. What about you, readers -- what do you imagine might be lurking in Kirsten's paranormal museum?
Kirsten Weiss worked overseas for nearly fourteen years in the fringes of the former USSR and in Southeast Asia. Her experiences abroad sparked an interest in the effects of mysticism and mythology, and how both are woven into our daily lives.
Now based in San Mateo, CA, she writes steampunk suspense and paranormal mysteries, blending her experiences and imagination to create a vivid world of magic and mayhem. Kirsten has never met a dessert she didn’t like, and her guilty pleasures are watching Ghost Whisperer re-runs and drinking red wine. Sign up for her newsletter to get free updates on her latest work at: http://kirstenweiss.com
Monday, February 8, 2016
BOOK LAUNCH MONDAY | Deirdre Verne and Drawing Blood
Your friendly neighborhood web mistress here--Lisa Alber--to introduce our first guest author since we relaunched the InkSpot blog. We hope you like the new look and our new schedule! Please welcome Deirdre Verne, whose latest novel, Drawing Blood comes out today! ~Lisa
Bad Habits, Good Books by Deirdre Verne
Quirky characters, strange settings, unsavory professions—maybe
you’ve read one of my books? As a new writer, I was initially taken aback by
early reviews until I realized that my unconventional characters had become my
calling card. A big thanks to Kirkus Reviews for being the first to spot my
fondness for the peculiar: “A dysfunctional family to die for...” and “an
oddly effective sleuthing team” are two Kirkus quotes I happen to love.
But my all-time favorite review comes from a Goodreads fan
who recently wrote “The regular characters are a quirky but lovable bunch
that form a supportive family.”
If you’re not familiar with my cast of characters, my
protagonist, CeCe Prentice, is a Dumpster diving artist who lives on a
self-sustaining farm with an extended clan of far-out friends. There’s an
eco-friendly clothing designer, an MIT dropout, CeCe’s wealthy but soused
mother, an eccentric doctor, the manager of the town dump, a pawn shop owner
and well, many more.
Apparently it takes a village to solve a mystery and CeCe
seems to have a habit of recruiting the more interesting folks in town.
If you’re wondering where I find inspiration for the
off-beat, I’d be happy to reveal my source. For years, I’ve watched boatloads
of junk television, although I reject the term “binge watcher.” In fact,
there’s a method to my research that involves a steady diet of low quality
programming, dished out on a nightly basis. Portion control is my guide as I
spend no more than ten minutes on any one channel before clicking frantically
through shows for a minimum of two hours.
Too short, too tall, too heavy, too much skin, too many
tattoos, too many coupons, controlled substances, kids or just plain too much
junk in your house? I love it all, every last weird and wacky display of
humanity makes my heart beat that much faster. And it’s not just the visual
ridiculousness of it all. I pay careful attention to the words, the phrasing
and the terminology of these people that live such unusual, yet real lives. A
few hours in front of the tube and I’ve got reams of dialogue dancing through
my head. I’m like the cultural anthropologist, Margaret Mead, but without the
hassle of world travel.
As if publishing a mystery series wasn’t reward enough,
I’ve also discovered an unintended side-benefit to my television addiction –
writing off my cable bill. A stretch you say? Absolutely not. I long for a call
from the IRS so I can hand an unsuspecting auditor the complete Sketch in
Crime series as evidence of my legitimate expenses. My day will come!
In the meantime, I invite you all into the weird and wacky
world of CeCe Prentice, criminal sketch artist, Dumpster diver and big-hearted
friend. You can catch CeCe in Drawing Conclusions (2015) and Drawing
Blood (2016).
Deirdre Verne is a mystery author and
college professor. Her AirBubble Blog unravels the mysterious, weird and often
hilarious happenings on both sides of the classroom door. There are helpful
tips for students and teachers. Taboo topics such as missing class, favoring
students, sleeping in class and cheating are all covered in an honest open
forum. You can find her online here:
Monday, December 28, 2015
I Present to You....KARMA'S A KILLER!
January 8 is the official launch day for my third Downward Dog Mystery, Karma's a Killer, but I can't wait until then to share the book with you. So now, for your reading pleasure, I present to you--the first chapter of Karma's a Killer!
CHAPTER 1
“I can’t believe I let Michael talk me into this. The man is
obviously nuts.”
I reached out my arms and slowly turned a complete circle,
trying to fully take in the deafening chaos around me.
Under different circumstances, I probably would have been the one referred to as crazy. I was,
after all, muttering to myself while spinning like a slow-motion top. But
today, nobody seemed to notice. The soccer fields of Seattle’s Green Lake Park undulated
with a buzzing, beehive-like swarm of people.
And their dogs.
Lots and lots of dogs.
All blocking the path to my destination.
A golden retriever pulled toward me from the front,
practically dislocating the shoulder of an acne-scarred teenager. Behind me, a
yapping Chihuahua flashed piranha-like teeth at the backs of my ankles. To my
right, a geriatric woman tried, unsuccessfully, to restrain an adolescent bull mastiff
that was seemingly intent on saying hello to, well, to everyone.
And that was just the start.
Each time a potential path opened, it was quickly obscured by
a new member of the dense canine stew. I almost squeezed between two
roughhousing pit bulls, but I got distracted by a huge Rottweiler head attached
to six-inch-long wiener dog legs. A Rott-wiener? Was that even physically
possible?
By the time I shook off the image, the momentary opening had
disappeared.
The closely packed crowd shouldn’t have surprised me. Over
two thousand people had registered for Paws Around Green Lake, today’s 5K dog
“fun” walk. Twice as many as my boyfriend, Michael, had anticipated when he
agreed to organize the fundraising event. I should have been happy for Michael,
and I was. I was even happier for DogMa, the no-kill animal shelter that
would receive the day’s proceeds. Or I would have been, if those same two
thousand bodies hadn’t stood between me and my destination.
If only I’d brought my 100-pound German shepherd, Bella,
with me. My treat-motivated tracker-dog would have bee-lined it straight for
the food vendors, parting the crowd with me flying like a kite behind her. But Bella
still didn’t like other dogs, or most bearded men, for that matter. I could
never insert her into this canine carnival—not without risking a multiple-dog homicide—and
it was too warm on this uncharacteristically sunny spring day to leave her in
the car, even if I parked in the shade.
So here I was, on my own.
I took a step back and assessed the event’s layout, trying to
simultaneously decipher an entrance and plot my escape. The normally empty
field had been marked off in sectors. The northernmost end held a multicolored
assortment of receptacles marked garbage, recycle, pet waste, and compost. Where
the trash cans left off, a golden line of stacked straw bales began, outlining the
fenced area allocated to Dale’s goat petting farm.
To the south stood a stage, a registration desk, several
food vendors, and the roped-off area I would later use as makeshift yoga studio.
The rest of the perimeter was lined with about two dozen tent-covered booths. My
goal, should I choose to accept it, was to find the one assigned to my yoga
studio, Serenity Yoga.
Okay, Kate. You
can do this.
I plugged my ears to block out the din, lifted my heels, and
stood on my toes in a tennis-shoed Tadasana, trying to see over the masses.
Maybe if I jag to
the right, dive under that banner and—
“Whoa!”
The Chihuahua sank his teeth into my pant leg and yanked. I flailed
my arms and tried—unsuccessfully—to stay balanced. My left foot got tangled in
the fur-covered piranha’s leash; my right hand connected solidly with his
owner’s coffee cup. The lid flew across the field. Hot, dark brown liquid
spilled down my shirt.
“Hey!” she snapped. “What are you, drunk?”
I opened my mouth to apologize, but the supermodel-thin
woman didn’t give me a chance. She snatched her dog off my pant leg, ignored
the hot liquid soaking my chest, and pierced me with an ice pick-sharp glare.
“Watch where you’re going, you big oaf. You could have hurt Precious.”
My ears zipped right past the word “oaf” and landed solidly
on “big.” Who was she calling big? I’d lost almost twenty pounds in the six
months since my misadventures on Orcas. Even I had to admit that my
five-foot-three-inch body had finally landed on the thin side of normal.
But that didn’t stop me from feeling insulted.
My body reacted much faster than my mind could control it. Anger-laced
adrenaline zapped down my spine. My fingers curled into tight fists. My teeth
clenched together so hard I was afraid I might shatter a molar.
Every fiber of my being wanted to lash back, which wasn’t
surprising. I’d struggled with my Hulk-like alter ego since my first
two-year-old temper tantrum. But I was trying to change—to better embody the
yoga principles I believed in.
My father’s voice echoed inside my head.
Don’t do it, Kate.
Not today. You don’t want to create a scene today.
Three years after his death, Dad was still right. Today’s
event was important to Michael—too important to risk ruining. Besides, I had
vowed not to lose my temper anymore. If I’d learned anything on Orcas, it was
that bad things sometimes happened when I got angry. Sometimes people got hurt.
I shuddered.
I couldn’t let myself think about that.
Instead, I took a deep breath, consciously relaxed my jaw,
and forced my lips into a smile.
The Chihuahua’s owner thrust her empty cup in my face. “You
owe me a new mocha.”
Honorable intentions be damned. I seriously wanted to punch
her.
My only alternative was to retreat.
I tossed her a five-dollar bill, took three large steps
back, and bumped into the teenager. “I’m sorry.” I turned right and tripped
over the mastiff. “Excuse me.” I stumbled and “excused me’d” and “I’m so sorry’d”
my way through the crowd, toward the water. I burst onto the path and bolted past
the Green Lake Community Center to my new destination: a large, T-shaped wooden
dock. The clamor faded to silence.
Empty. Thank
goodness.
The scarred wooden dock was normally occupied by local fishermen,
but for the moment, it was mine. The crowds, noise, and limited parking kept everyone
but the dog walkers away from Green Lake today.
I stood at the dock’s southernmost end, as far away from the
pandemonium as possible. For several long, lunacy-free moments, I found peace.
I stared at the lake, smelled the crisp, clean scent of the water, and took slow,
soothing breaths. Hypnotizing light jewels rippled off the lake’s surface. The boards
underneath my feet gently swayed. My nervous system rebalanced, forcing my inner
demon back into her lair.
When I finally felt ready, I touched my palms together in
the prayer-like Anjali Mudra, bowed my head to reconnect with my center, and
turned back toward the soccer fields.
Bummer.
If anything, they looked more chaotic. I couldn’t deal with all
of those people. Not yet.
Perhaps a short visualization practice would help.
I sat cross-legged on a relatively goose-dung-free spot,
closed my eyes, and touched my fingertips to the wood’s warm, rough surface. The
sun melted my shoulders; a cool breeze pinked my cheeks.
I mentally transported myself to the beach near the soccer
fields. Soft, white energy floated above the water and spilled over the lake’s borders.
The fog-like mist expanded, filling the grassy area. It stilled the crowd,
creating more space. In my mind’s eye, I reached out my hand. The field still
wasn’t empty, but at least it was permeable. I could sift through the crowd,
untouched. I took a deep breath, lifted my right foot and—
Angry whispers interrupted my meditation.
“No one asked for your opinion.”
I opened my eyes and turned toward the sound. Two quarreling
women huddled near the shore, hidden behind a half-dozen bright yellow paddle
boats. Their hushed voices carried across the water as clearly as if they were
using a megaphone.
I considered ignoring them, and frankly, I should have. The Yoga Sutras might not explicitly condemn eavesdropping, but I
was pretty sure it was considered bad karma. Still, I was curiously drawn to
their conversation. Something about them felt oddly familiar …
I shaded my eyes from the sun and tried to make out their
faces. Both women dressed completely in black: black long-sleeved T-shirts, deep
black jeans, black tennis shoes. The only touches of color were the bright orange
flames embroidered above each woman’s left breast.
The woman speaking was about my age—early to mid-thirties.
She cradled a stack of picket signs in one arm and gesticulated wildly with the
other. The sign on the top said “Apply the HEAT” in bold red letters.
Her fingernails matched her deep black outfit, except for the middle fingernail
of each hand, which was painted blood burgundy. Long, curly dark hair bounced
off her shoulders with every emphatic shake of her head.
“You have to choose, Dharma. Either you’re one hundred
percent on board, or you’re out. Which will it be?”
The second woman, obviously named Dharma, didn’t answer immediately.
She was small—about my height and maybe five pounds heavier—and at least ten
years older than her friend. She wore black, wire-rimmed glasses, and her gray-streaked
brown hair was tied back from her shoulders in a single long braid. When she
spoke, she sounded exasperated, as if she had repeated this argument many times
before.
“You’ve clearly lost all perspective, Raven. This protest doesn’t
make any sense. We have more important issues to deal with. Why don’t we go
after factory farming? How about animal experimentation? Heck, I’d rather go
back to Brazil and try to preserve what’s left of the rain forest. Why beat up
innocent, sensible pet owners?”
“Innocent? What’s innocent
about slavery? Do you have any idea how many of these so-called innocent slime bags abandon or
euthanize their pets every year?”
Dharma leaned forward earnestly. “Which is precisely why we
shouldn’t go after a low-kill shelter like this
one.”
Go after a shelter? Were they planning to protest DogMa? Today?
I kept listening, hoping that I’d misunderstood.
“Don’t be fooled by all of their pretty promises,” Raven scoffed.
“These people are frauds, and I’m going to expose them.”
I couldn’t make out Dharma’s grumbled reply, but her tone didn’t
sound friendly.
Raven held up her hands. “Back off, Dharma. I don’t need
your help, but I won’t stand for your insolence. I’m taking this place down with
or without you. Trust me; these hypocrites at DogMa are going to burn.” Her
voice turned low and threatening. “And if you get in my way, I might have to
fry you, too.”
Dharma flinched and glanced warily over her shoulder. “Watch
what you say, Raven. Someone might take you seriously.”
Raven snorted. “Yeah, well, maybe they should.”
Dharma’s mouth opened, but she didn’t respond, at least not at
first. After several long, tense moments, she shook her head, almost sadly. “I’m
sorry, Raven, but this has gone far enough. Eduardo talked me into coming on
this ill-conceived road trip, but we never agreed to violence. I’m out.” She
turned and started walking away. “We both are.”
“I wouldn’t be so sure about Eduardo.”
Dharma froze. Her entire body stiffened. When she slowly
turned around, her expression was tight, as if her thinned lips and hardened
eyes had been carved out of stone.
Raven’s lips lifted in a cruel-looking grin. She crossed her
arms and leaned back against the paddleboats. “Sweetheart, you can leave any
time. The sooner the better. I never wanted you here to begin with. But trust
me, Eduardo’s not going anywhere. By the time I get done with him, he’ll be finished
with you, too.”
The older woman
exploded.
She howled and
shoved Raven into the boats, using significantly more force than I would have
expected from someone ideologically opposed to violence. Raven’s face hit the edge
and she fell, splitting open her lower lip. Picket signs scattered in every
direction.
Dharma scooped up
a sign, snapped its wooden handle in two, and waved the jagged edges at her
friend.
“I’m warning you,
leave Eduardo alone, or you’ll be the one who burns.” She jabbed the wooden
stake at Raven’s chest for emphasis. “In Hell.”
Raven’s response seemed more amused than frightened. She
licked the blood from her lower lip, stood, and slowly clapped.
“Well done, Dharma. Well done. We’ll make an anarchist out
of you yet.”
Dharma gaped at her hands, as if surprised to see them
grasping a weapon. A strangled cry escaped from her throat. She took two large
steps back, threw the broken sign to the ground, and stumbled away, sobbing. A
moment later, she disappeared into the crowd.
Raven mumbled several
words I couldn’t decipher, gathered the rest of the signs, and sauntered off in
the opposite direction. I lost sight of her midway through the parking lot.
I stared after her,
torn. Whatever Raven was up to, it couldn’t be good. Part of me wanted to stop
her. But how, exactly, was I supposed to do that? Commandeer her picket signs? Tie
her to a bicycle rack with my shoelaces? Yell the word “cat” and hope the dogs
took care of the rest? I considered trying to find one of Green Lake’s bicycle patrol
officers, but what could the police do? The fight was already over and
picketing, though disruptive, wasn’t illegal.
A confident female
voice called out over the loudspeaker. “Dog walkers, welcome to Paws Around
Green Lake, DogMa’s first annual furry 5K fun walk. Pick up your leashes and
gather your treat pouches. Let the walk begin!”
I glanced at my
watch. Ten o’clock. I should have opened my booth an hour ago. The crowd’s human-canine
duos trickled toward the trail and started jogging, walking, sniffing, and marking
their way around the lake. If the two women I’d witnessed were planning to
protest, they’d likely do it during the post-walk celebration. I still had
plenty of time to find Michael and help him plan for the threat.
I hoped.
Thanks for reading!
PS--Purchase Karma's a Killer before January 8 and e-mail me at Tracy@WholeLifeYoga.com to receive an autographed bookplate!
Tracy Weber

Check out Tracy Weber’s author page for information about the Downward Dog Mysteries series. A KILLER RETREAT and MURDER STRIKES A POSE are available at book sellers everywhere
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