Showing posts with label cliches. Show all posts
Showing posts with label cliches. Show all posts

Friday, February 26, 2010

On Debuts and Cliches

“Write what you know.” It’s one of those clichés every writer hears in the early stages of learning the craft.

I agree with it—to an extent. I know about religion, classic horror, acting, and medieval lit. The first novel I ever wrote dealt with religion and horror. Then an agent who passed on that book challenged me to write a crime story starring an ex-nun. Nah, I thought—I’m a horror writer. But the idea clung to my subconscious, and I decided to learn about private investigators, health food, MMORPGs, and the minds of stalkers.

You may be asking: How is getting into the mind of a stalker is a positive thing? It is when it’s the mind of the villain in my debut mystery. If I’d clung to my self-label of “horror writer” I wouldn’t be looking forward to my first mystery on a bookstore shelf next spring.

Yet without my writing roots I wouldn’t be here either, because folks seem to be fascinated by nuns. We’re like an alternate species of human. Yep—I used to be a nun. Habit, veil, the whole shebang. (Sorry to disappoint: The convent’s nothing like Sister Act. And speaking of clichés, yes, I played the guitar; yes, I sang at Folk Masses; and yes, I taught middle school kids to sing and dance.) In my debut mystery, my ex-nun main character is re-acclimating to the world. That’s writing what I know—you should’ve seen me trying to walk in high heels for the first time in years. She’s also foiling a Bible-obsessed stalker, which combines what I know and what I had to learn—I’ve certainly never stalked anyone! Although if Gerard Butler moved in down the street…

Where was I? Oh, yes. Clichés. Nuns themselves may be cliché, although I certainly wasn’t. As in, I was in trouble pretty much every week for all my years in the convent. At first all I thought the only use I could make of those years were good was cocktail party conversation for the rest of my life. Yet what I thought was a colossal waste turned out to be a crucial ingredient to a mystery series.

Were I to go back to teaching English, this is where I’d start: Everything you know, everything you’ve experienced—good and bad—can be used to make your writing better. I’m living proof.

Oops. A cliché. I’d better go back to daydreaming about Gerard Butler moving into my neighborhood. And writing my next book