Monday, April 11, 2011

Trading Cards

Keith here.

When I was a boy, my grandfather distributed Topps baseball cards. (Pez, too, but that's another story.) As you can imagine, I had quite a collection. I traded them with my chums and even clothespinned a couple of duplicates to the spokes on my bike to get just the right sound as I pedaled around the 'hood. I was eight when we moved from Chicago to Palo Alto. My cards disappeared. My mom probably saw no reason to keep them. I guess the reason old cards are worth so much now is lots of moms saw no reason to keep them. (That one Willie Mays card on the left lists at $400; his 1952 rookie card lists at $3000.) I had some autographs, too, including one of Dale Long who hit a home run in eight straight games.

A baseball fan I remain, and my friends and colleagues know it. At the instant my Giants won the World Series last fall, I received a text from my literary agent that said, "Now you can die in peace." Thanks, Josh.

Nowadays there are shows where cards are sold and where all-stars sell their autographs, but I'm not interested in baseball cards and autographs anymore.

Two weeks ago, on March 26, I spoke at TEDx in San Jose. All attendees were given a pack of cards, one for each speaker. (That's the front and back of mine below.) People brought my card up to me to sign. For a moment - at least in my head - I was an all-star. And heck, don't we writers deserve the recognition that ballplayers get? Why doesn't someone start producing writer cards anyway? What would I give for a Malliet or Jaffarian? I'd buy one at any price. How about trading? Would anyone take 10 Raffels for one Hank Phillippi Ryan or Karen Olson or Cara Black? No? Okay. I'll give up a damaged Raffel for five Orloffs. (If he wins the Agatha, though, it will only take two.)

Let's deal!

Saturday, April 9, 2011

Inkspot News - April 9, 2011

Today, Saturday, April 9th, Beth Groundwater will be discussing and signing copies of her new release, Deadly Currents, from 3:30 to 5 PM at Who Else! Books, in the Broadway Book Mall, 200 S. Broadway, Denver, CO 80209. Next Saturday, April 16th, Beth Groundwater will be discussing and signing copies of her new release, Deadly Currents, from 1 to 3 PM at Beth Anne’s Book Corner, 1532 North Circle Drive, Colorado Springs, CO 80909. Beth Anne's chocolate fountain will be flowing, so stop by for a yummy treat! Also next Saturday, April 16th, Alan Orloff will be holding a launch "event" for his new release, Killer Routine, at the Reston (VA) Barnes & Noble, starting at 4 PM. There will be cake! The Mystery Writers of America is holding its April Giveaway Contest for Readers, and two Midnight Ink books are included: Deadly Currents by Beth Groundwater and Killer Routine by Alan Orloff. Enter the contest HERE.

Friday, April 8, 2011

Interview with Hostage Negotiator Gary Noesner

by G.M. Malliet

Our guest today is Gary Noesner, author of Stalling for Time: My Life as an FBI Hostage Negotiator.

Gary retired from the FBI in 2003 following a 30 year career as an investigator, instructor, and negotiator. A significant focus of his career was directed toward investigating Middle East hijackings in which American citizens were victimized.

In addition, he was an FBI hostage negotiator for 23 years of his career, spending the last ten years as the Chief Negotiator for the FBI. He retired as the Chief of the FBI's Crisis Negotiation Unit, Critical Incident Response Group, the first person to hold that position. In that capacity he was heavily involved in numerous hostage, barricade, and suicide incidents; covering prison riots, right-wing militia standoffs, religious zealot sieges, terrorist embassy takeovers, airplane hijackings, and over 120 overseas kidnapping cases involving American citizens.

Following his retirement from the FBI he became a Senior Vice President with Control Risks, an international risk consultancy, and most recently spent five and a half years working a kidnap case involving three American defense contractors taken hostage by the FARC in Colombia, South America. He continues to do kidnap management consulting work for Control Risks part-time.

Gary has three grown children and resides in Virginia with his wife, Carol.

Q As I read your book, I remembered nearly all the cases you discussed--and there were many famous ones. Is there a particular case that stands out in your mind?

A Perhaps the most challenging and interesting case I worked was the 1996 81-day Freemen Siege in Montana. This was the first major incident after the FBI's tragic involvement in the Waco incident dealing with David Koresh and the Branch Davidians. The eyes of the nation were focused on the FBI's ability to resolve the Montana incident without force. The primary focus was on negotiations through the team that I led. With the high stakes involved, not only in terms of human life but with the potential impact on the FBI's reputation and standing with the American people, the pressure was significant. Our success at achieving a peaceful surrender with no injury or loss of life was a high water mark in the FBI's negotiation program. A creative negotiation strategy supported by FBI leadership was the key determining factor.   

Q As your book makes clear, negotiations that are going well can rapidly spin out of control. Is there a particular case you wish you could revisit? And what would you have done differently?

A  As far as wishing I could revisit a case, it would have to be the Waco incident that resulted in such a tragic loss of life, including innocent children. I remain very proud of the negotiation approach to dealing with this incident, which led to the safe release of 35 individuals, including 21 children, while I led the negotiation effort. However, on-scene FBI management made some bad decisions which in my view contributed to the outcome, hence my wish that we could do that incident over. My advice wouldn't have changed, but I would hope FBI leadership at the scene would be better trained and more responsive to negotiation input this time.    Despite FBI decision making shortcomings, in my view David Koresh was the sole individual responsible for the tragic outcome. He and he alone had the ability to safely lead his people out at anytime, something he steadfastly refused to do despite our many attempts to convince him to do so. 

Q Some organizations have adopted the policy of never paying for the release of hostages or kidnap victims. What recourse is there, if there is no way to meet demands? In your view, does this endanger the victims needlessly, or is a no-ransom policy more likely to gain their release?

A [Gary first clarified my question to make a distinction between kidnappings and hostage situations.]
While similar, kidnappings are a slightly different animal from hostage taking events which we typically define as a barricaded/siege incident where law enforcement is surrounding a location wherein someone is holding and threatening the lives of hostages. In contrast, the whereabouts of a kidnap victim are unknown, thereby limiting the amount of control the authorities can exercise over the management of the event.

So, a hostage taking incident is by law enforcement definition one in which we know the location of the victims and the hostage holder(s). In those cases, we do not advocate giving in to demands such as paying money to a bank robber and letting him take the hostages away from the bank. Fortunately, in all but the most rare situations, such criminals want to live more than they want to die, and we are very successful in eventually securing a safe surrender, as they know harming the hostages will result in their being harmed or even killed by the police.

In contrast, a kidnap situation is different in that we typically do not know the location and whereabouts of the kidnapper and the hostage. Sadly, in most such incidents (typically overseas) the failure to pay a ransom leads to the continued incarceration of the hostage or their death. Therefore, simply refusing to pay a ransom does little to secure the safe release of the victim. Rescue attempts are often extremely dangerous and are the leading cause of death among kidnap victims. No one enjoys paying a ransom, which indeed rewards the kidnapper, however, there is usually no alternative to secure the safe release of the victim. A "no ransom" policy embraced by a government or corporation does nothing to prevent or safely resolve such situations, despite making us feel resolute in the face of this terrible crime.   

Q Pirates are the "modern" scourge of the hostage-taking world. Many people are held for months and years before being released--if they are lucky enough to be released. According to the AP: "The average ransom for a large shipping vessel is now near $5 million, according to piracy experts." Given the sums involved, do you see any end in sight?

A In my opinion, the Somali pirates will continue to prey upon any victim they can find in international waters as long as they are successful in obtaining large amounts of money. Kidnap is a crime that exists where there is a lack of competent law enforcement and an absence of strong prosecutive efforts to bring perpetrators to justice. Until these pirate are made to pay a price for their criminal conduct, they will continue their successful business model. Until western navies begin to use more confrontational response strategies that punish the pirates, this crime will fourish. Heretofore, some shipping companies have found it less problematic to pay a ransom than to lose crew members and valuable ships and their cargo. This has unfortunately only served to embolden the pirates. Again, the pirates will cease this terrible crime when they begin to experience negative consequences for their actions and not before.   

Q Many nations have differing laws when it comes to the limits set for hostage negotiators. Are different nations reacting to the piracy situation by different means? Is there any one nation you think is in the vanguard?

A  Several nations have raised the stakes for the pirates by undertaking efforts to interdict their boats after they have taken hostages. This is meant to deny them the opportunity to take the seized ships and crews to Somalia where they can be safely held until a ransom payment is made. However, when western navies block the movement of pirate boats to shore that hold hostages, this can lead to a very dangerous confrontation, as we recently saw with the Quest incident. Certainly, the U.S. Navy and some other western powers have stepped up their capabilities in an attempt to deal with the pirates in a more robust manner. I don't know that any particular country has set a lead in this area, rather it's a slowly evolving set of lessons being learned through the cooperation of several nations.

More information on Stalling for Time: My Life as an FBI Hostage Negotiator is at http://garynoesner.com/.

Wednesday, April 6, 2011

Justice is Served

Readers of mysteries, like those of romance novels, expect a certain type of ending. Romance readers expect the hero and heroine to be together in the end, living "happily ever after." In mysteries, readers expect justice to be served. The killer meets a fitting end, be it death itself, arrest and conviction, or some other suitable punishment for taking a human life. In that way, readers experience closure and its accompanying sense of satisfaction.

Closure is a psychological term. In the European Review of Social Psychology, cognitive closure was defined as "a desire for definite knowledge on some issue and the eschewal of confusion and ambiguity." So, people have an innate desire for a firm solution as opposed to enduring ambiguity. People's need for closure varies. Those with a high need for closure prefer order, clear rules, and predictability.

I know that I personally have a strong need for closure, and I suspect the same is true of most mystery readers. This need is what drives us to solve the puzzle of "whodunnit" along with the sleuth. We're struggling to close the gaps in our understanding of the situation by looking for clues, interpreting the behavior of suspects, etc.

Sometimes that driving need for closure can cause us to reach a conclusion too early that is erroneous, as described in this article in Psychology Today. And there are plenty of mystery authors that use that to their advantage in devising plots. They plant "twists in the tale" in their stories to drive readers into make one or more false conclusions before finally revealing some new information that leads to the real killer or the real explanation of what's going on.

But knowing "whodunnit" isn't enough for those of us who love reading mysteries. The murderer also has to be punished for their misdeed(s) so justice is served. That is true closure. We understand what happened and the characters receive their rewards and punishments as they deserve them. As I said before, sometimes a punishment is delivered within the legal system, and sometimes it occurs outside the legal system, but it's always fitting. And most mystery authors I know spend a lot of time devising an ending that is fitting and satisfying for their readers.

In my recent release, Deadly Currents, my protagonist, whitewater river ranger Mandy Tanner, is faced with a decision near the end. She has discovered who the killer is and has a choice on how justice should be served. She makes that choice based on her character--her upbringing, ethics, beliefs, and training. Her choice brought a satisfying closure to me, and I hope it does for my readers, too.

What about you? Do you have a strong need for closure, to not only understand what happened and who the killer was, but also to see that justice is served? Have you ever been disappointed in the ending of a mystery that didn't provide that satisfying closure to you?

Tuesday, April 5, 2011

Is Once Enough?

I generally don’t read books more than once. Gone With The Wind was an exception as well as a few of Jane Austen’s and William Faulkner’s novels, mainly because teachers chose them over the years. Oh, and sometimes I pick books at the library more than once, but that’s a whole different issue: failing memory. I know I read one book in college twice; in fact, paid for it twice. It was book of poetry—-a thick, expensive one—-and I don’t ever want to discuss Ode On A Grecian Urn again.

I did re-read the first Harry Potter book to my son. As expected, he loved it. Then I put my husband in charge of reading the next three books in the series to him. After that time, he was ready to finish the series on his own.

It’s not that all the books aren’t wonderful in their own way. It’s not that I didn’t enjoy them—-except the poetry. It’s just with so many books out there and a limited amount of time, I can’t see reading one twice.

I know others see it differently. Some people read and dissect to learn how to write better. Some people read for inspiration. Some people just love one author and can’t get enough.

So, I’m curious. Do you often read a book more than once? Or do you have a select few favorites you return to over and over? Or are you like me, always looking for a new story?

Monday, April 4, 2011

IT’S MAGIC!

Darrell James



Storytelling is an art. It’s also maybe a science. Stephen King has related the relationship between writer and reader as a kind of mental telepathy, where thoughts and ideas are exchanged through words and word pictures. A means of lifting imaginings from one psyche to imprint them emotionally on another.

It’s magic really. And awesomely wonderful to boot. It inspires questions from readers and aspiring writers alike about how the process of creating a story takes place. And what makes a story work? The most often asked question is “Where do you get your ideas?” The answer is always “anywhere” and “everywhere”. (A truthful but not very helpful response.) My answer is that I usually start with an idea that simply intrigues me. Something that I find personally fascinating, a tickle of curiosity. My goal, in starting, is to tell myself a “really great story”. And do so in a way that fills my imagination. My assumption is that if I can thrill myself beyond belief, then others will thrill as well.

From there, the work begins. Characters must be imagined and brought to life. Relationships are defined. Conflict must arise. (Good is almost always pit against evil.) And a hero or heroine, with much to lose, must emerge to right the wrong, and do so against all odds. (Or at least that’s my approach.)

My forthcoming novel, NAZARETH CHILD, was conceived in just this manner. An idea that has always fascinated me (the idea on which this book is founded) is the idea of charismatic power. That found in the likes of Jim Jones and Marshall Applewhite (You remember, Do, the Haven’s Gate guy?), self-proclaimed prophets and messiahs. Who are these dominant types? From where does their power to influence come? What motivates them? What secret of life do they possess (or believe they possess)? And, why… seemingly against all reason… do thousands, sometimes millions, follow?

The story introduces Del Shannon, a young female investigator who works for Desert Sands Covert in Tucson, a firm that specializes in finding and recovering missing persons. She’s smart and tough, but mostly she’s determined. A woman in a man’s world. Del enters this debut novel already well acknowledged as being good at what she does. Ironically, despite a lifelong search, the one person Del has never been able to find is the mother she’s never known. Secrets surround her mother’s existence. And her father, Roy Shannon, has guarded those secrets with vengeful determination. Even the family Bible’s genealogy pages have been torn away to conceal the past.

Whatever became of Ella Shannon?

When a seemingly unrelated federal investigation, into the infamous, faith healer, Silas Rule, brings authorities to her door, Del learns of an abandoned property in the clannish hill community of Nazareth Church, Kentucky— surprisingly still owned by her father. There, Del’s quest takes her into confrontation with this charismatic leader, who seems to hold the key. Is her mother alive or dead? And what secrets does the healer work to conceal? Only through Silas will Del find the answers. But can she survive the truth?

It’s an emotionally charged tale of love and retribution. I thrilled to writing it. I hope you’ll thrill to reading it.

NAZARETH CHILD is scheduled for release, from Midnight Ink/Llewellyn Worldwide Publishing, in September. It is currently available for PRE-ORDER on Amazon.

"James cranks up the tension while spinning a classic tale of good versus evil.” —Paul Levine, author of Lassiter.

Saturday, April 2, 2011

Inkspot News - April 2, 2011

We've been asked to spread the word:

The Wolfe Pack/Alfred Hitchcock Mystery Magazine's annual Black Orchid
Novella Contest is underway. The deadline is May 31, 2011. The winner
receives $1,000 and publication in AHMM. Details are at

http://www.nerowolf e.org/htm/ neroaward/ black_orchid_ award/BO_ award_proc. htm

=====
Also, the Al Blanchard Award Contest closes for entries April 30 (by midnight). Don't miss this opportunity to win:

--$100 cash prize
--publication in Level Best Books' ninth anthology of crime stories by New England writers, Dead Calm.
--free admission to the Crime Bake conference in November (you do not have to attend to win)
--a handsome plaque

Your submission should be:
--story by a New England author or with a New England setting
--no more than 5,000 words
--previously unpublished (in print or electronically, including on your website)
--may include the following genres: mystery, thriller, suspense, caper, horror (with no killing or torture of children or animals)

For details on how to submit, visit the Crime Bake website: www.crimebake.org

Friday, April 1, 2011

April Fool!

I write humorous dialogue one-liners, but in real life, I’m one of those curmudgeonly writers. Leave me alone in my corner with coffee, lots of paper, and my fountain pen, and no one gets hurt. My husband, however, makes jokes all the time, and loves puns. I would love to write a character that drops puns that easily, but my brain simply doesn’t work that way.

I’m a Marx Brothers fan. I love their subtlety and lightning-fast wit.


My father, husband, and sons are huge fans of the Three Stooges. Should I say “Of course”?

Nearly every male I know is a Three Stooges fan. Sometimes I think it’s genetics.

And, since today is often about practical jokes, I’m forcibly reminded of this:

My sons got one of these things when they were in grade school. Nothing on the planet was funnier to them than that farting sound. That’s when it hit home: Humor is a very personal thing. My entire family loves The Muppet Show, but the boys like Family Guy (we don’t) and no one else shares my Monty Python addiction.

So, writers and readers: What’s your style of written humor? PG Wodehouse? Pearls Before Swine? Elmore Leonard? Doonesbury? Scott Adams? I'm a die-hard Pearls fan. In honor of today, I’ll be hiding in my house, avoiding the practical jokers and watching Muppet Show reruns.