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Back on Monday, January 3. See you then!
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Then |
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Now |
Are you ready for the big day? No, I’m not talking about Christmas. I’m talking about a national holiday coming up in just two days. December 16th is National Chocolate Covered Anything Day. What? You never heard of it? To tell the truth, neither did I until the other day when I was flipping through the pages of a women’s magazine.
So I decided to do a bit of detective work. After all, I write mysteries. I should be able to find out who came up with the idea of a Chocolate Covered Anything Day and who declared it a national holiday. I struck out, though. After extensive Googling, all I could find is that no one seems to know who started the holiday or who nationalized it.
Finding no answers, I did what any mystery writer worth her Milk Duds would do -- I made up a plausible scenario:
Hard times had fallen on the Willie Whatsit’s Chocolate Factory. Sales were down. Stocks were plummeting. All because some upstart had opened up a jelly bean pizza operation across the street. People were stuffing themselves full with jelly bean pizzas, to the point that no one had room for chocolate any more.
So Willie Whatsit locked his marketing people in the conference room with nothing but a white board, their brown bag lunches, and a chocolate fondue. He told them they’d have to stay there until they came up with a way to make people put down their jelly bean pizzas and gobble up chocolate once again.
There they were, seven morose men and women, nibbling away on their sandwiches while trying to save both their jobs and the company. No one had a clue how to make chocolate more appealing to the masses. After all, how can you compete with jelly bean pizzas?
“We might as well give up now and trudge over to the unemployment office,” said Neville Bottomworth, the most morose of the morose marketers.
“You have mayo on the side of your mouth,” said Helen Harrowsmith, tossing a napkin toward Neville.
But Helen was no all-star when it came to pitching napkins, and Neville had to reach across the table to retrieve the napkin. That’s when it happened. A slice of bacon fell from his BLT -- right into the fondue pot!
Not knowing whether Willie Whatsit would give them a dinner break, Neville wasn’t about to forego his bacon, chocolate-covered though it now was. He fished the slice out of the fondue pot and popped it in his mouth.
“Eww,” said Helen.
“No, it’s really not bad,” said Neville.
With that, Orville Tessmacher dipped a corner of his bologna sandwich in the melted chocolate and took a bite. One by one the others followed, dipping a bagel, a pickle, a potato chip, even a forkful of Ramen noodles into the melted chocolate.
“By George, we’ve got it!” shouted Neville.
Thus was born Chocolate Covered Anythings. And since Willie Whatsit was good friends with Congressman Calvin Crudrupp, a generous donation to the congressman’s upcoming campaign secured a congressional act, declaring December 16 th as National Chocolate Covered Anything Day.
Hey, it could’ve happened like that!
And since I know you’re all probably dying for some chocolate covered bacon, here’s a recipe:
Chocolate-Covered Bacon
Ingredients
8 slices thick cut bacon
1 bag semisweet chocolate chips
4 ounces white chocolate chips
Directions
1. Preheat the oven to 375°F.
2. Place the bacon on a baking sheet lined with parchment paper. Bake 20 minutes.
3. Let bacon cool for 5 minutes, then transfer to a plate lined with paper towels to absorb the extra fat.
4. Melt the chocolate chips in the microwave, stirring until smooth and completely melted.
5. Using tongs, dip the bacon into the melted chocolate, coating all sides. Place on wax paper covered cookie sheet.
6. Melt white chocolate in microwave. Drizzle over bacon.
7. Refrigerate bacon until chocolate is hard.
by Kathleen Ernst
Back in October, I had two launch parties to celebrate the release of Old World Murder. One took place at Old World Wisconsin, the historic site that provides the setting for the book. I used to work there. I’m very comfortable hanging around people wearing period clothing.
I also had a wonderful time at launch party held at Booked for Murder, a terrific independent bookstore in Madison, WI. I signed a goodly number of books, and a good time was had by all.
One person who came had already read the book—on her electronic reader. She brought it to the store and surreptitiously showed it to me. “I thought you might like to see how Old World Murder looks as an eBook,” she said. I’d never seen any of my books on an electronic reader before.
More recently, I spent two days at a book table as part of a Norwegian Christmas weekend at Vesterheim Norwegian-American Museum in Decorah, Iowa. In addition to signing Old World Murder, I signed copies of The Runaway Friend (my only book for young readers which has a Scandinavian theme). One mom happily bought a copy of The Runaway Friend for her daughter, and said she’d look for Old World Murder for her Kindle.
I’ve since seen what Old World Murder looks like on both the Nook and Kindle. (The color version above is on a Nook.) Having the ability to adjust font size has made reading possible and fun again for lots of people. Traveling with a single well-loaded reader is much nicer than lugging ten books along. And saving paper is a good thing.
Still, I worry about the toll eBooks take on bookstores. And I hope that readers who enjoy downloads will still be interested in coming to book talks and programs. For me, meeting readers in person is the most fun part of what I do! And there will always be something magical about personally inscribing a book for someone.
Technology is catching up with me in other ways, too. I recently participated in my first long-distance book program. A school district in Kentucky had chosen my latest kids’ mystery, Clues in the Shadows, for their book group. The program ended with a visit from the author—that would be me!—through the miracle of technology. Fifty young readers and their parents gathered at a public library, and I connected with them via Skype.
I’d been asked to talk about my writing for twenty minutes, followed by another twenty minutes of Q & A. The sound system on their end cut in and out, and the facilitator made an adjustment that meant I couldn’t hear anything from their end during my opening remarks. I’m used to having a conversation with kids, not to talking nonstop, so it felt awkward to me. But the kids seemed delighted.
I know that many authors have been using Skype for years to connect with book clubs and other groups. I haven’t sought it out because I’m always worried that the technology will fritz. Still, it’s a great way to engage with readers long distance. I’m sure I’ll do more programs this way.
And yes, I now own an eReader.
So, how about you? Have you embraced new technologies as a reader and/or writer?
It’s still dark outside, and the morning star – which is really the planet Venus – precedes the sunrise. It’s very close to earth right now, a bright, shiny beacon hanging at the end of night. I stepped outside to take a look while the kettle heated on the stove, breathing in the crisp air and listening to the deer – or perhaps raccoons – rustle through the dry grass on the other side of the fence.
Back inside, I brewed a pot of Earl Grey. I am the only one awake in the house, save for a purring orange cat. We’re both curled up in a blanket on the sofa while flames dance in the fireplace, and the scent of honey rises from my cup of tea. The computer screen is the brightest thing in the room.
Soon I will put aside the computer and write in my morning page notebook. Remember morning pages? Julia Cameron introduced them in The Artist’s Way, but Dorothea Brande suggested the same thing in Becoming a Writer back in 1934 (still one of the best books out there for beginning writers or anyone who is having trouble sustaining a writing project). The idea is to get up in the morning – every morning – and write without stopping until you hit three pages. The devilish editor on your shoulder doesn’t have time to engage, you develop a habit of writing every single day, and I, at least, find the process ferrets out a surprising number of truths.
Morning pages can be a kind of self-therapy. At the same time, they can lull you into thinking you’ve written for the day. It’s also possible they could sap some of your writing energy, much as I’ve heard some people say blogging siphons off a portion of their creative mojo. How it affects you really depends on how you view the process.
For a year or more in the mid-nineties I faithfully wrote my morning pages as Cameron describes. But over time, I’ve tweaked them to suit my own needs. Doing them first thing in the morning still works very well, but I don’t do them every day. Or even every week. And though on occasion I just want to brain dump or need to work out a problem that requires what I refer to as “thinking on paper,” more often I try to focus morning pages on something in particular. As a result, they’ve turned into a stepping stone that then propels me into my other writing.
Today I plan to write a scene in which a woman encounters a girl she thought she knew in a place she’d never expect to find her. I need to know how that feels – for both of them. I want to think about how this meeting sets the tone for their relationship throughout the rest of the story. It would be a good idea to play with how a recurring theme in the story can flicker through this scene. And finally, I simply don’t know enough about the girl and her background. Focused free writing will help me find these things out.
Sometimes it's a better thing to simply sit down and write. To allow that magical thing to come out of nowhere and flavor or twist what you’ve planned to put on the page. Or even not to plan at all. But this is a brand new character for me, and an important one. In this story, I’m working in a different fictional world than the one I’m used to.
Being able to write about the upcoming scene will afford back story that right this moment I’m unaware of. It’s the same kind of magic, finding the answers to questions and, more than likely, finding more questions to ask. It’s an aspect of getting to know the story that’s invisible to the reader – not simply research, plotting, or character development, but all those and more.
Do you use free writing as a tool either in your writing or in your life? Do you find journaling useful?
Then I suddenly had an onslaught of emails, some promo stuff that needed to be done, and a bunch of stuff that came up with the kids.
So…what to do? It’s no good prioritizing what’s most important. It’s all important.
What I do when it all happens at once:
Empty my mind of everything I can think of that I need to do. If I don’t do this, my mind keeps whirring (especially at night.) Everything goes on the master list. This list is not prioritized in any way. ‘Make reservation at the dog’s kennel’ is right over ‘email agent about due dates for new series.’
Break down the big tasks into specific tasks. I have a couple of interviews to give, guest blog posts to write, guests to schedule on my blog, Twitter to update, etc. It helps to see everything written out instead of having something on my to-do list that says “Promote Book".”
Prioritize the tasks and assign days for each to be completed. I get my day planner out for this part. This goes hand in hand with the prioritization of the steps.
Delegate. No one can write our book or promote it for us. But there are people around us that can take care of other important tasks for us. My family has helped me out with cleaning, laundry, and errand-running. I’ve had a couple of friends invite my daughter over for playdates recently, too.
I’m feeling back on track and it’s mostly due to having an organized plan of attack. And having some help in the trenches. :)
How do you stay on top of everything when it all happens at once?
Elizabeth Craig/Riley Adams
Mystery Writing is Murder
Recently, I “finished” a revision of my WIP (is one ever really finished with a revision?), and the following analogy popped into my head.
We’ll call it the “Sound Mixer And Revision/Transformation,” or S.M.A.R.T., analogy. (By the way, did you know they eliminated the analogy portion of the SAT? I say bring it back, society is too easy on kids today. How are they going to succeed in life if they don’t know how a thistle is related to a frying pan?)
This past summer, I took my son to a Peter Frampton/Yes concert (I fought off the urge to don flared jeans and volumize my hair). We sat a few rows behind the sound guy, who was working two enormous soundboards—each with dozens of sliders and dials and switches. He fiddled with them all, a virtuoso of the knobs, until the optimum sound reached the ears of everyone in the venue.
That’s how I envision the revision process.
Imagine a giant soundboard in front of you, the writer. Instead of it being labeled with different mics and speakers and pick-ups, it’s got the names of all your characters and scene settings (if it becomes obvious I don’t know what I’m talking about with regard to sound dynamics—or the writing process, for that matter—just work with me here, folks. It’s only an analogy!).
You’ve completed a draft of the manuscript, but it’s rough around the edges (and by “rough,” I mean putrid). You need to go in and adjust some of the “volume” levels. A little more Character A and her derring-do. A little less Character B and his annoying drawl. Less description in scene 9 (Exactly how many sentences does it take to say the meadow is lovely?) Ease up on the dialog in scene 32. More tension in scenes 4, 5, and 22. Crank those dials!
It’s your opus—do what you need to. Keep fiddling until you’ve created your masterpiece.
Then sit back and listen for the feedback. That’s what the sound engineers do.
How do you envision the revision process?
Alan