Bloody Politics
By: Maggie Sefton A Molly Malone Mystery #3
"A strong protagonist."—LIBRARY JOURNAL
By: Sue Ann Jaffarian
The Odelia Grey Mysteries #9
Desperado: A Mile High Noir
This is the trunk, which is on display in the Norwegian House exhibit at Vesterheim. |
The Valdres House (in red) provided just what I needed. |
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Here I am with Steve Johnson, Vesterheim's Director. |
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Display at the Vesterheim Museum Store. |
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That's me introducing readers to the latest Chloe mystery, The Light Keeper's Legacy. (Greg Puhl photo) |
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Me and Molly at Love Is Murder in Chicago Last Febraury, where we were each honored with LOVEY Awards. |
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Since I'd just received my ARC of the next Chloe Ellefson mystery, I couldn't resist showing that too. And my latest kids' mystery is on the table! (Greg Puhl photo) |
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Here are all the participating authors. (Greg Puhl photo) |
by Kathleen Ernst
I had lunch this week with two friends who (good pals that they are) told me they loved The Heirloom Murders, my second Chloe Ellefson mystery. They also agreed that they’re ready to see some action between Chloe and and cop Roelke McKenna.
In the first book, Old World Murder, Chloe was recovering from a bad breakup and definitely not ready for a new romance. In book 2, she tries to figure out what kind of man she might want to be with. Book 3, which I’m still revising, offers some new ideas about her life, her wishes, and the possibility of a relationship. (Roelke is definitely still in the picture.)
Here’s the challenge: I hope to write many books about Chloe, which presents a common dilemma. Stringing the possibility of romance along for too long can become annoying. Getting two people together too quickly can kill the tension, the energy.
Some of my favorite authors have handled things between two main characters differently. One kept them apart a little longer than I liked—five or six books, maybe. Another killed the guy off, leaving the heroine to start fresh (and upsetting many fans, based on online reviews.) Another chose to get her couple married quite quickly, and then let the inevitable frictions between spouses provide tension in the books that followed.
I’ve tried to build some complexity into both of the main characters, Chloe and Roelke. Falling in love isn’t a simple thing for either of them. Still, I don’t want to frustrate readers, either.
There’s no single right answer, of course…but I’d love to hear your thoughts!
Images from 123RF.
by Kathleen Ernst
In the (many) years between first finished book and first published book, I dreamed of that most writerly of tasks: sitting at a table and signing copies. The notion that someone might actually want me to was almost beyond comprehension.
Well, books got published and sometimes people do want me to sign them. What I didn’t know, way back then, was that I’d be so bad at it.
Not meeting readers—I adore that part. Not giving programs about my books—I’m pretty good at that too. I even have nice handwriting and a couple of lovely pens.
The problem I have is trying to chat while signing. It’s a reader’s moment to ask a question or tell me something important, and I like that bit of one-on-one. But I’m not good at multi-tasking. When someone is talking with me I have trouble remembering my own name, much less theirs.
Once a family stopped me in the parking lot as I was leaving a signing. I’d written a lovely inscription in the book they’d just purchased, but in the midst of our conversation, I’d somehow forgotten to actually sign my name. Twice I’ve had to purchase my own books because I botched the inscription.
I run into more trouble when someone approaches the table and asks, “Remember me?” I have a horrible memory, and I’m afraid I don’t always remember a reader I met three years ago. Even worse, my Chloe Ellefson books are (so far) set at a place where I worked 20-30 years ago. Sometimes former colleagues come to my programs, and every now and then I can’t for the life of me find their name in my mental vault. (In my own feeble defense, I did supervise 60-80 people a year, for a decade.)
I try to get around such lapses by keeping a pad handy. Whenever someone hands me a book, I ask them to spell their name, and I write it down. “I always like to check spelling,” I say cheerfully. (Me writing it, as opposed to them scribbling it on a Post-it or something, helps solidify the letters in my brain for a moment.) Everyone once in a while even that fails, as with the man I’d met before who gave me a disappointed look and said “B-o-b.”
I always write the date on the top of the pad, as well. I tend to forget.
If someone buys multiple titles, I try to write a little something different in each one. I’m not so good at that either, especially if they hand me five or six books.
The hardest signings of all are with kids. I know this is a special occasion. I want them to leave with a happy memory and a legible inscription, but sometimes I do better than others. Kids like to see what I’m writing and watch me sign my name. They crowd around, sometimes jostling the table and sending the pen in a direction I did not intend.
All this is not to complain. Far from it! I’ve had a dream come true, and I try to savor every moment. But if you happen to ask me to sign a book, please don’t mind if I need you to repeat your name, or if I write the wrong date by mistake. The story itself will be much more polished, I promise.
“Chloe found the first body right there,” I said, pointing.
My husband Scott said, “Perhaps you should keep your voice down.” Then he balanced precariously on the shifting beach cobbles and started shooting. Digital images, not bullets.
I’ve mentioned before that Book 3 in the Chloe Ellefson series will take place on Rock Island, WI, in Lake Michigan. It’s a state park. Much of the action will take place at Pottawatomie Lighthouse; I’ve had the good fortune to serve as a live-in docent there several times, and know it well.
But other scenes take place at other locations on the island, such as the magnificent boathouse.
Since my mysteries are rooted in long-ago events, I do a lot of historical research. And since I write about real and public places, I need to be careful about getting not just the historical details but the geography right.
Book 3 (tentatively titled Beyond Death’s Door) takes place the first week in September, and Scott and I spent last week visiting the story’s locales. I wanted to make notes about what flowers were blooming, what birds were migrating through, etc. at the exact time of Chloe’s visit.
We also photographed and videotaped each location. The videotape will help me remember perspective when I’m actually writing or revising the pertinent scenes.
As a benefit for spending time back at the scene of the crime, as it were, we stopped in the independent bookstore on neighboring Washington Island. Preliminary plans for a book launch in 2012 are now underway. I also pinned down a few last details at the local archives, and questioned the local ranger about a logistical issue I’d been confused about. And we visited—just for research purposes—a local tavern/restaurant, which is famous for never closing during Prohibition (the proprietor got a pharmacist’s license and dispensed Bitters.)
All of this took place the week Book 2, The Heirloom Murders, was officially released. I’m juggling launch events for that with finishing the manuscript for Beyond Death’s Door. It’s a wee bit overwhelming (especially since I’m working on a children’s book project as well), but it’s also great fun! I got to wander around two gorgeous islands, and write off travel costs as a business expense. How cool is that?
http://kathleenernst.com