Sometimes My Heroine Cracks Me Up

When I watch America's funniest videos, I always laugh the hardest at the ones where someone or something jumps out and scares some unsuspecting soul. One of my favorites is when a group of school kids (8-12 years old) pass a snowman in a front yard, and the snowman jumps at them. Throwing their books in the air, they run like there's no tomorrow.

What does that say about me? That I have a sick sense of humor? Then there's the one where some young men run a mouse on a string across the floor in front of an unsuspecting frat brother who screams like a little girl and jumps on the counter. That one usually brings tears to my eyes. And a drunken Red Skelton and Mickey Rooney in the cave with Elliott the Dragon in Pete's Dragon can set me off just thinking about it.

In my latest book, MURDER FOR THE HALIBUT,  I had an opportunity to include a scene like that, and I jumped all over it. The problem was I couldn't stop laughing. Since my culinary tastes tend to run like my Clueless Cook’s, I nearly gagged right along with her.

But I’m getting ahead of myself. In this scene, my clueless cook is judging a cooking contest on a cruise ship. (Think Top Chef meets Chopped!) A little backstory is that my heroine is really a wannabe sports reporter who can only find a job writing the personals. When the culinary reporter gig falls into her lap, she jumps on it as it comes with her own byline. The problem is she’s a fast food junkie, and she can’t cook a lick. She’s managed to fool everyone so far and now has been asked to judge the contest.

Here’s the scene.

Glancing down at the appetizer, Jordan was surprised to see that it resembled a chicken nugget. So far she'd made it through four of the appetizers without making a complete fool of herself. She was pleased to see that the last entry might be something she actually enjoyed.

Reaching for one of the chunks, she dipped it into the sauce. As soon as she popped the morsel into her mouth, she let out a relieved breath. Although it didn't taste exactly like a chicken nugget, it was close enough that she was ready to declare Marsha and her sweetbread the overall winner.

She ate the other two chunks, pleased with herself for having survived the evening. With her lips still burning from the jalapeño dip, she wiped her mouth with the clean napkin then pushed the plate to the side. Choosing the scorecard with Marsha's name, she scribbled a big 4.5, taking off half a point for the sauce. If it had been served with a nice avocado ranch or a creamy honey mustard dip on the side, she would have given it a perfect score.

“It looks like we’re ready to hear the judges’ decision,” Emily said, moving to stand beside Marsha. “This is the all-important vote where we find out who is eliminated tonight and who wins and gets an advantage in tomorrow night’s competition. Judges?”

Somehow Marsha had managed to open the top button of her purple sweater. Even though most of her chest was covered by the apron, a tiny bit of her ample cleavage peeked through. A visual designed to get the judges’ attention, which it definitely had. Poor Beau was nearly foaming at the mouth.

What was it about men and boobs?

“George, what did you think of Marsha’s sweetbread?” Emily asked.

     Christakis eyed her for a moment, glancing once toward Beau, making Jordan wonder if he knew something was going on between him and Marsha. Then he held up the card with a large 3 scribbled on it. For a minute, Jordan thought the audible gasp had come from her, but then she realized it had actually been Marsha, who was now staring at Christakis in disbelief.

     “Although I love sweetbread and I appreciate the rich white sauce you made, I found the glands to be overcooked and gristly. It would have worked so much better if you had spent a little more time sautéing them rather than frying them in the oil.”

Glands? Jordan squeezed her eyes closed, grabbed the napkin, and spit into it, but the morsels were long gone. Catching her breath, she looked up to see that everyone was staring, and she felt heat crawl up her cheeks.

“You cooked glands?” Her eyes begged Marsha to deny it.

“Yes. It's one of my favorite appetizers.”

Jordan took several deep breaths in a row, hoping to push back the lump in her throat threatening to ruin her debut as a cooking judge. “What kind of glands?” she whispered, so low that only those close to her could hear.

Christakis twisted in his chair to face her, laughter in his eyes. “The thymus gland. What did you think sweetbread was?”

There was no way she'd admit she thought she had eaten chunks of fried chicken. “I figured it was glands, but I wasn't sure what kind,” she lied.

Mentally, she slapped her head for the lame response. She knew it was glands but didn't know what kind?

Crap!

The point I'm trying to make with all this is in that short period of time when I was writing that scene, I was actually Jordan, discovering I had just eaten glands. (My friends did this to me with squid. I thought I was eating purple onions in a salad. I spent the entire night waiting for the little buggers to pop out of my stomach like the little space creatures did with Sigourney Weaver in Aliens.)

So my question for you all is do you ever find yourself in that situation? Do you ever imagine yourself as your heroine? Does it help writing certain scenes? I would love to hear your story.

Murder, Mayhem, and... Romance???

Romance in Mysteries

By Liz Lipperman

Since this is my first post, I'll introduce myself to those who don't yet know me. I am a retired nurse, married to my high school sweetheart with two grown children and 4 absolutely adorable grandchildren who are the love of my life. I've been writing seriously since 2002 when my Chinese fortune cookie read, "You will be an accomplished writer." I knew right then and there I had no other choice since I had started and stopped writing so many times before. (I still have that one!)

I lost a lot of good years thinking I was a romance writer until finally one day my agent bluntly told me I was a mystery writer. Talk about a rude awakening. In retrospect, I should have known, since all my stories had dead bodies, explosions, and gruesome murders. After I started writing what I should have been writing all along, I sold a cozy series to Berkley. Not the stories I had already penned, mind you. I sold on proposal after the editor read the first book of my ghost mystery series and loved it but couldn't use it. She asked if I could write a cozy series. Now, here's where it gets good. That same story is the one that Terri bought because she loved all the sassy, bad words!! Is anyone out there surprised?  Right after the sale, I blogged that she would probably have to tone it down to which she responded that she had no intentions of doing that. I love her!!

Anyway, I'm so glad to be a part of your incredibly friendly group and hope I can contribute an occasional thoughtful blog. I have my own blog, and I am part of two others as well, so I can't be here as often as I would like to, but I will contribute. I promise.

The blog below is one that first appeared on my own blog after I was on a library panel not too long ago. Since my background includes being a "romance" author, most of my stories still contain a lot of sexual tension and romance. Anyway, when I researched the subject, I found this article and thought it was worth sharing here. Hope you think so, too.

      On Friday I was on a panel with five other authors at the Mansfield Texas library. The event was sponsored by the Friends of the Library and was billed as Mansfield Writes. My friend, Diane Kelly, who writes the humorous Tara Holloway mysteries, organized the event, and each of us did a presentation on some aspect of publishing/writing. I chose the topic romance in mysteries, a subject that is near and dear to my heart since I write what I call romantic mysteries.

I read an interesting article about this on Mystery.Net.com. Did you know that romance with mysteries started way back when Gothic novels were popular? Think Kathleen Woodiwiss and Rosemary Rogers. In those days a young, naïve woman found herself in the middle of a horrible storm, usually alone, with screams coming from the attic or some similar scenario. Our young heroine would rush up to see what was going on, only to be rescued by a dashing, brooding, handsome man. Today we call that heroine TSTL – – too stupid to live.

Fortunately, as women’s lib cranked up, so did writers. Modern-day heroines no longer went up to the attic alone after hearing screams unless there was a very compelling reason, and even then, they didn't go without a flashlight, a cell phone, and sometimes a Glock.

In 1943 Phyllis Whitney penned mysteries aimed at a modern female audience. Mary Stuart followed, and from the late 1950s to the early 1970s, we saw an emergence of suspense novels with pronounced romantic elements. Finally, in the 1970s, Mary Higgins Clark introduced us to a new version of romantic suspense with her women in jeopardy novels. This has always been my favorite genre to both read and write, although I get confused sometimes as to what exactly I do write. My heroines always find themselves in jeopardy, but there's a fine line. Romance can be found in all my books (romantic suspense), but you never know who the killer is until the very end (mystery.) Born a rebel, I love breaking the genre rules.

I can only hope the readers who have been kind enough to take a chance on me – – even some who like me – – aren't aware of these rules. They only know what they enjoy reading, and hopefully, I'm included on the list.

I ended my presentation with this little tidbit. After a particularly exhausting sexy encounter with her mate, the female praying mantis bites off his head and eats it.

Moral of this story – – even Mother Nature sees the importance of combining murder with good sex.

What about you? Do you like a little romance with your mysteries? One lucky commenter will win a signed copy of the first book in A Dead Sister Talking Mystery, titled HEARD IT THROUGH THE GRAPEVINE, when it releases in May. I'll post the winner at the end of the day after random.org chooses one.